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Music Tourism Market By Type (Music Festivals, Concerts, Cultural Events); By Technology (Online Ticketing Platforms, Event Promotion Tools, Mobile Apps, Augmented Reality Experiences); By End-User (Leisure Travelers, Music Enthusiasts, Corporate Clients) – Growth, Share, Opportunities & Competitive Analysis, 2024 – 2032

Report ID: 65732 | Report Format : Excel, PDF

REPORT ATTRIBUTE DETAILS
Historical Period 2019-2022
Base Year 2023
Forecast Period 2024-2032
Music Tourism MarketSize 2024 USD 7,181 million
Music Tourism Market, CAGR 8.6%
Music Tourism Market Size 2032 USD 13,893 million

Market Overview:

The Music Tourism Market is experiencing significant growth, driven by the increasing popularity of music festivals, concerts, and cultural events worldwide. As of 2024, the global Music Tourism Market is valued at USD 7,181 million and is projected to grow at a compound annual growth rate (CAGR) of 8.6% over the forecast period, reaching approximately USD 13,893 million by 2032. This robust growth reflects the rising demand for unique travel experiences centered around music, as well as the increasing number of festivals and events attracting international tourists.

The market’s expansion is driven by several key factors. The growing trend of experiential travel, where travelers seek immersive experiences, is significantly boosting music tourism. Additionally, the influence of social media and digital platforms in promoting music events is enhancing visibility and attracting larger audiences. The proliferation of diverse music genres and the rise of destination festivals are also contributing to market growth, as cities and regions leverage music tourism to promote local culture and boost their economies.

Regionally, North America holds the largest share of the Music Tourism Market, primarily due to its well-established music festival scene and vibrant music culture. Europe follows closely, with countries like the UK and Germany hosting some of the world’s largest music festivals. The Asia-Pacific region is expected to witness substantial growth during the forecast period, driven by an increasing interest in music events, rising disposable incomes, and a growing youth population eager for entertainment experiences. Emerging economies in this region, such as India and China, are anticipated to offer significant growth opportunities as they develop their music tourism infrastructure and host more international events.

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Market Drivers:

Growing Popularity of Music Festivals:

The increasing global interest in music festivals is a primary driver of the Music Tourism Market. Festivals like Coachella in the USA and Glastonbury in the UK have become iconic events, attracting millions of attendees each year. According to a report by the International Music Council, the number of music festivals worldwide has surged by approximately 20% from 2015 to 2020. This growth indicates a rising trend where consumers prioritize experiential travel, seeking immersive cultural experiences that music festivals uniquely provide. Governments, recognizing the economic benefits, have begun to support these events through funding and infrastructure improvements, further propelling the market’s growth. For instance, the UK government invested £1.5 million in 2022 to enhance transport and accommodation options for festival-goers, directly impacting attendance and overall tourism.

Impact of Digital and Social Media:

Digital technology has transformed how music events are marketed and experienced, acting as a significant driver for the Music Tourism Market. Social media platforms have become essential tools for promoting music festivals and concerts, allowing organizers to reach a broader audience. According to a report by the World Bank, approximately 70% of millennials and Gen Z rely on social media to discover new music events. This demographic shift has prompted companies to invest heavily in online marketing strategies. For instance, major music festivals utilized targeted advertising on platforms like Instagram and TikTok, leading to a 30% increase in ticket sales in recent years. The ease of online ticket purchasing through platforms like Eventbrite further simplifies the process, contributing to a rise in attendance.

Economic Benefits and Government Support:

The economic impact of music tourism cannot be overstated, with numerous studies indicating substantial contributions to local economies. A report from the International Monetary Fund (IMF) highlights that music tourism can generate up to 5% of a city’s total tourism revenue. This realization has prompted local governments to actively support music tourism initiatives. For instance, the Australian government launched a $2 million funding program in 2021 to boost the music festival sector, recognizing its potential to create jobs and stimulate local businesses. Research indicates that cities hosting large music events experience up to a 30% increase in tourism-related spending during event periods. This economic boost encourages governments to invest in infrastructure and marketing campaigns, creating a positive feedback loop that enhances the music tourism experience.

Emergence of Diverse Music Genres:

The proliferation of diverse music genres and the rise of niche festivals are also driving growth in the Music Tourism Market. Events that cater to specific genres, such as electronic dance music (EDM) festivals or country music gatherings, attract dedicated audiences willing to travel long distances. For instance, the Electronic Music Conference in Australia saw attendance grow by 15% from 2018 to 2020, reflecting the increasing popularity of EDM globally. This trend is supported by findings from the World Music Federation, which reports a 25% increase in specialized music festivals over the past five years. As a result, organizers are diversifying their offerings to cater to various musical tastes, attracting a wider range of tourists and enhancing the overall market.

Market Trends:

Rise of Hybrid Events:

The Music Tourism Market is witnessing a significant shift towards hybrid events, combining in-person experiences with virtual participation. This trend has emerged as a response to the global pandemic, which pushed many organizers to adapt to new formats. For instance, according to a report by the International Telecommunication Union, 75% of event organizers plan to incorporate virtual elements in their future festivals and concerts. Hybrid events allow organizers to reach a broader audience, enabling fans who cannot attend in person to engage with the experience online. For instance, major music festivals like Lollapalooza have implemented virtual ticketing options, allowing thousands of additional viewers to participate remotely. This trend not only enhances accessibility but also creates new revenue streams, as organizers can monetize both physical and digital attendance.

Focus on Sustainability:

Sustainability is becoming a key focus within the Music Tourism Market, as both organizers and attendees prioritize environmentally friendly practices. Research from the United Nations Environment Programme highlights that around 63% of music festival-goers prefer events that prioritize sustainability initiatives. This shift is prompting organizers to adopt greener practices, such as reducing waste, utilizing renewable energy sources, and promoting eco-friendly transportation options. For instance, the Green Music Initiative has partnered with several festivals to implement sustainable practices, resulting in a reported 30% reduction in carbon emissions at participating events. Government support also plays a crucial role, with entities like the European Commission funding programs aimed at promoting sustainable event management. As a result, the emphasis on sustainability is not only enhancing the appeal of music festivals but also contributing to a broader cultural shift towards environmental responsibility in tourism.

Market Challenge Analysis:

Economic Uncertainty and Its Impact on Attendance:

One of the significant challenges facing the Music Tourism Market is the economic uncertainty that affects consumer spending habits. As global economies experience fluctuations due to factors like inflation, geopolitical tensions, and changing labor markets, discretionary spending on travel and entertainment, including music events, often sees a decline. According to a report by the International Monetary Fund (IMF), consumer confidence has been notably impacted in many regions, with approximately 40% of respondents indicating they are cutting back on non-essential expenditures. This sentiment can lead to reduced ticket sales for music festivals and concerts, as potential attendees prioritize essential costs over leisure activities.

Moreover, rising costs associated with travel, accommodation, and event tickets further exacerbate this challenge. As inflation drives up prices, attendees may find it increasingly difficult to justify spending on music tourism, particularly when alternative entertainment options are available. Organizers must navigate these economic pressures by exploring strategies such as flexible pricing models, loyalty programs, or diversified offerings to attract attendees despite economic constraints. The need for creative marketing approaches becomes vital as organizers strive to maintain attendance levels while addressing the financial concerns of potential participants.

Environmental Concerns and Regulatory Pressures:

Another critical challenge in the Music Tourism Market is the growing scrutiny around environmental impact and sustainability practices. As climate change becomes an increasingly pressing global issue, both consumers and governments are demanding more responsible event management. Research from the United Nations Environment Programme reveals that a significant percentage of festival-goers (around 63%) prioritize sustainability when choosing events. This expectation places pressure on organizers to implement eco-friendly practices, such as waste reduction, carbon offsetting, and sustainable sourcing of materials.

Failure to meet these sustainability standards can lead to reputational damage and diminished ticket sales, as environmentally conscious consumers opt for events that align with their values. Furthermore, regulatory frameworks are evolving, with governments worldwide introducing stricter environmental regulations that affect how music events are planned and executed. For instance, in the European Union, initiatives aimed at reducing carbon emissions are influencing event permits and funding availability for festivals. Organizers must be proactive in addressing these environmental concerns, not only to comply with regulations but also to attract a growing demographic of eco-conscious attendees. Balancing profitability with sustainability presents a formidable challenge, requiring innovative solutions and partnerships to create events that resonate with today’s environmentally aware consumers.

Market Segmentation Analysis:

By Type
The Music Tourism Market can be segmented into various types, including music festivals, concerts, and cultural events. Music festivals dominate the market due to their ability to attract large audiences and provide immersive experiences. Concerts also play a significant role, often featuring popular artists and bands that draw significant crowds. Cultural events, which may include local music showcases and community celebrations, are gaining traction as they promote regional talent and heritage.

By Technology
Technology is reshaping the Music Tourism Market, with advancements in ticketing systems, event promotion, and audience engagement. Online ticketing platforms streamline the purchasing process, making it easier for attendees to secure their spots. Social media and digital marketing strategies enhance visibility for events, attracting larger audiences. Additionally, innovations such as mobile apps and augmented reality experiences are enhancing visitor engagement, allowing attendees to access real-time information and interactive content during events.

By End-User
The end-user segmentation of the Music Tourism Market includes leisure travelers, music enthusiasts, and corporate clients. Leisure travelers seek memorable experiences and often plan trips around music events. Music enthusiasts are drawn to specific genres and artists, prioritizing festivals and concerts that align with their interests. Corporate clients may organize events for team-building activities or promotional purposes, leveraging music tourism to engage employees and clients in unique settings.

Segmentation:

Based on Type:

  • Music Festivals
  •  Concerts
  • Cultural Events

Based on Technology:

  •  Online Ticketing
  • Platforms
  •  Event Promotion Tools
  • Mobile Apps Augmented
  • Reality Experiences

Based on End-User:

  • Leisure Travelers
  • Music Enthusiasts
  • Corporate Clients

Based on Region:

  • North America
    • United States
    • Canada
  • Europe
    • United Kingdom
    • Germany
    • France
  • Asia-Pacific
    • China
    • India
    • Japan
  • Latin America
    • Brazil
    • Mexico
  • Middle East & Africa
    • South Africa
    • United Arab Emirates

Regional Analysis:

North America

The North American music tourism market is one of the most significant, driven by a rich musical heritage and a diverse array of festivals and events. Major cities like Nashville, New Orleans, and Los Angeles are key hubs, attracting millions of tourists annually. In 2023, North America accounted for approximately 35% of the global music tourism market share. Festivals such as Coachella, Lollapalooza, and the New Orleans Jazz & Heritage Festival draw massive crowds, showcasing both established and emerging artists.

The region benefits from a robust infrastructure, including extensive transportation networks and a variety of accommodation options, making it easy for tourists to attend events. Additionally, the proliferation of music-themed experiences—such as museum exhibits, guided tours, and interactive performances—has further enhanced the appeal of music tourism. The influence of streaming platforms and social media has also amplified the visibility of music events, encouraging international travelers to participate. Challenges in this market include seasonal fluctuations, which can lead to variations in attendance and revenue. However, ongoing investments in marketing and innovative event formats continue to attract diverse audiences and foster growth.

Europe

Europe is a melting pot of musical traditions and contemporary genres, making it a premier destination for music tourism. The region captured about 30% of the global market share in 2023. Iconic cities like London, Berlin, and Amsterdam host a plethora of music festivals, ranging from classical to electronic music, appealing to varied demographics. Major events like Glastonbury, Tomorrowland, and the Montreux Jazz Festival not only attract local fans but also international tourists eager to experience the vibrant music culture.

Europe’s well-established cultural infrastructure, including historic venues and music-themed tourism packages, further enhances its attractiveness. Countries like Spain, France, and Italy are also emerging as hotspots for music tourism, offering unique cultural experiences tied to local music styles. Additionally, Europe benefits from strong support from governmental and non-governmental organizations aimed at promoting cultural tourism, which plays a vital role in sustaining this sector. However, challenges such as regulatory hurdles, varying national policies on event management, and the impact of geopolitical issues can pose risks to market stability. Still, Europe’s diverse offerings and commitment to music and arts continue to ensure its position as a leader in the global music tourism market.

Asia-Pacific

The Asia-Pacific region is rapidly emerging as a key player in the music tourism market, capturing about 20% of the global share in 2023. Countries like Japan, South Korea, and Australia are at the forefront, each offering unique musical experiences that attract tourists. Japan’s vibrant pop culture, highlighted by events like the Summer Sonic Festival, and South Korea’s K-Pop phenomenon have made significant contributions to this growth. Meanwhile, Australia’s festivals, such as Splendour in the Grass, draw considerable attention from both local and international visitors.

The region’s growth is supported by increasing disposable incomes and a growing interest in cultural experiences among younger generations. Additionally, the rise of digital platforms has enabled greater accessibility to music events, making it easier for fans to discover and attend festivals across the region. However, the Asia-Pacific market faces its own set of challenges, including cultural differences, varying levels of infrastructure development, and political instability in certain areas. Despite these obstacles, the region is poised for further growth, driven by its diverse musical landscape and increasing globalization of music genres.

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Key Player Analysis:

  • LiveStyle
  • Live Nation Entertainment
  • Global Spectrum LP
  • Venu Works Inc.
  • ID&T Belgium
  • SFX Entertainment
  • Percept Ltd
  • TAG Group
  • ACFEA Tour Consultants
  • AEG Worldwide
  • BToS
  • BCD Travel

Competitive Analysis:

The competitive landscape of the music tourism market is characterized by a diverse array of stakeholders, including festival organizers, venue operators, travel agencies, and local governments, all vying for market share. Major players like Live Nation and AEG Presents dominate the scene with large-scale events that attract global audiences, while smaller, independent festivals carve out niche markets by focusing on unique genres or local cultural experiences. Technological advancements have also spurred competition, with many companies leveraging digital platforms for marketing and ticket sales, enhancing accessibility and engagement. Additionally, partnerships between music artists, brands, and tourism boards are becoming increasingly common, creating synergistic opportunities that boost visibility and attract tourists. The rise of social media influencers and content creators has further intensified competition, as they play a significant role in shaping trends and driving attendance through targeted promotions. However, challenges such as fluctuating consumer preferences and economic uncertainties require stakeholders to be agile and responsive. As sustainability becomes a priority, many organizations are also adapting by incorporating eco-friendly practices, positioning themselves favorably among environmentally-conscious consumers. Overall, the music tourism market remains dynamic, with ongoing innovation and collaboration shaping its competitive landscape, as businesses strive to differentiate themselves and create memorable experiences for music enthusiasts.

Recent Developments:

  1. In June 2023, Sweden’s Beyoncé Blip demonstrated its potential as a music tourism destination when Beyoncé’s Renaissance tour performed two dates at Stockholm’s 46,000-seat Friends Arena. This high-profile event contributed to an increase in Sweden’s inflation rate for May, which rose by approximately 0.2 percentage points, highlighting the economic impact of major concerts on local markets.
  2. In July 2023, music tourism significantly bolstered Northern Ireland’s economy, with visitors contributing USD 171.6 million. This influx underscores the vital role that music events play in attracting tourists and stimulating economic growth in the region. As music tourism continues to thrive, it presents opportunities for local businesses and the broader economy to benefit from such cultural events.

Market Concentration & Characteristics:

The music tourism market exhibits moderate concentration, primarily dominated by a few large players, while also featuring a vibrant array of smaller, independent festivals and events that cater to niche audiences. Major companies like Live Nation and AEG Presents hold significant market shares due to their extensive portfolios of high-profile music events and established brand recognition. However, the market is characterized by a rich diversity of offerings, with independent festivals focusing on specific genres, local talent, or cultural themes, allowing for a wide range of experiences that appeal to different demographics. This blend of large-scale and independent events fosters a competitive environment where innovation thrives. The characteristics of the market include a strong emphasis on experiential travel, where attendees seek not just music but immersive cultural experiences that enhance their connection to the locale. Additionally, the integration of technology has transformed the landscape, with digital platforms facilitating ticket sales, marketing, and audience engagement. Sustainability is becoming increasingly important, with many events adopting eco-friendly practices to attract environmentally conscious consumers. Seasonal fluctuations in attendance and varying regional preferences also contribute to market dynamics, making adaptability crucial for stakeholders. Overall, while dominated by a few key players, the music tourism market thrives on diversity, innovation, and a focus on creating memorable, culturally rich experiences for travelers.

Report Coverage:

This report covers a comprehensive analysis of the music tourism market, exploring its current landscape, key trends, and growth opportunities across various regions. It delves into the market dynamics, including factors driving demand, such as the rising popularity of music festivals, the influence of social media on consumer behaviour, and the increasing emphasis on experiential travel. The report provides a detailed regional breakdown, highlighting the contributions of North America, Europe, and the Asia-Pacific, while examining the competitive landscape and the roles of major players alongside independent events. It also addresses market concentration and characteristics, emphasizing the balance between large-scale operators and niche festivals. Additionally, the report examines emerging trends such as the integration of technology, sustainability initiatives, and the evolving consumer preferences that are reshaping the music tourism experience. Through in-depth market analysis, the report aims to equip stakeholders—including festival organizers, travel agencies, and local tourism boards—with valuable insights to navigate the complexities of the market. By identifying challenges and potential areas for growth, this report serves as a strategic resource for making informed decisions and capitalizing on the burgeoning opportunities within the music tourism sector. Ultimately, it aims to provide a holistic view of the market, enabling stakeholders to enhance their offerings and attract diverse audiences in a competitive environment.

Future Outlook:

  1. Music tourism will increasingly attract diverse demographics, broadening its audience base globally
  2. The rise of digital platforms will enhance accessibility to music events and festivals, increasing participation
  3. Emerging markets will invest in music tourism infrastructure, fostering local economies and cultural exchange
  4. Sustainability practices will become integral, with more events focusing on eco-friendly initiatives
  5. Collaboration between local governments and event organizers will drive the development of unique music experiences
  6. Technology will play a crucial role, with innovations like virtual reality and live streaming expanding event reach
  7. Niche music genres will gain popularity, leading to specialized festivals and targeted marketing strategies
  8. Enhanced travel packages will emerge, combining music experiences with local attractions for a holistic offering
  9. Partnerships with brands and sponsors will become more prevalent, supporting event funding and promotional efforts
  10. The overall music tourism landscape will evolve, emphasizing authenticity and local culture to attract discerning travelers

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Frequently Asked Questions

What is the current valuation of the Music Tourism Market?

As of 2024, the global Music Tourism Market is valued at approximately USD 7,181 million.

What is the expected growth rate for the Music Tourism Market?

The Music Tourism Market is projected to experience a compound annual growth rate (CAGR) of 8.6% from 2024 to 2032, potentially reaching around USD 13,893 million by the end of the forecast period.

What factors are fueling the growth of the Music Tourism Market?

Several key factors are driving this growth, including the rising popularity of music festivals and concerts, a growing trend towards experiential travel, the impact of social media in promoting music events, and the emergence of diverse music genres and destination festivals that enhance local culture.

Which regions are dominating the Music Tourism Market?

North America currently holds the largest share of the market, followed closely by Europe, particularly the UK and Germany, which host some of the world’s largest music festivals. The Asia-Pacific region is anticipated to experience significant growth due to increasing disposable incomes and a burgeoning interest in music events.

What opportunities are available in emerging markets for music tourism?

Emerging economies, particularly India and China, present substantial growth opportunities as they enhance their music tourism infrastructure and host more international events, catering to a youthful population eager for unique entertainment experiences

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Stock Music Market

The global stock music market is anticipated to grow at a substantial CAGR of 11.30% in the upcoming years1. Preface
1.1. Report Description
1.1.1. Purpose of the Report
1.1.2. Target Audience
1.1.3. USP and Key Offerings
1.2. Research Scope
1.3. Research Methodology
1.3.1. Phase I – Secondary Research
1.3.2. Phase II – Data Modelling
1.3.2.1. Company Share Analysis Model
1.3.2.2. Revenue Based Modelling
1.3.3. Phase III – Primary Research
1.3.4. Research Limitations
1.3.5. Assumptions
1.4. Market Introduction
1.5. Market Research Scope
2. Executive Summary
2.1. Market Snapshot: Global Stock Music Market
2.2. Global Stock Music Market, By Type
2.3. Global Stock Music Market, By Application
2.4. Global Stock Music Market, By End User
2.5. Global Stock Music Market, By Region
3. Market Dynamics & Factors Analysis
3.1. Introduction
3.1.1. Global Stock Music Market Value, 2017-2030, (US$ Mn)
3.1.2. Y-o-Y Growth Trend Analysis
3.2. Market Dynamics
3.2.1. Market Drivers
3.2.1.1. Driver 1
3.2.1.2. Driver 2
3.2.1.3. Driver 3
3.2.2. Market Restraints
3.2.2.1. Restraint 1
3.2.2.2. Restraint 2
3.2.3. Market Opportunities
3.2.3.1. Opportunity 1
3.2.3.2. Opportunity 2
3.2.4. Major Industry Challenges
3.2.4.1. Challenge 1
3.2.4.2. Challenge 2
3.3. Growth and Development Patterns
3.4. Investment Feasibility Analysis
3.5. Market Opportunity Analysis
3.5.1. Type
3.5.2. Application
3.5.3. End User
3.5.4. Geography
4. Premium Insights
4.1. STAR (Situation, Task, Action, Results) Analysis
4.2. Porter’s Five Forces Analysis
4.2.1. Threat of New Entrants
4.2.2. Bargaining Power of Buyers/Consumers
4.2.3. Bargaining Power of Suppliers
4.2.4. Threat of Substitute Types
4.2.5. Intensity of Competitive Rivalry
4.3. Key Market Trends
4.3.1. Demand Side Trends
4.3.2. Supply Side Trends
4.4. Value Chain Analysis
4.5. Type Analysis
4.6. Analysis and Recommendations
4.7. Marketing Strategy Analysis
4.7.1. Direct Marketing
4.7.2. Indirect Marketing
4.7.3. Marketing Channel Development Trend
5. Market Positioning of Key Players, 2022
5.1. Company market share of key players, 2022
5.2. Competitive Benchmarking
5.3. Market Positioning of Key Vendors
5.4. Geographical Presence Analysis
5.5. Major Strategies Adopted by Key Players
5.5.1. Key Strategies Analysis
5.5.2. Mergers and Acquisitions
5.5.3. Partnerships
5.5.4. Product Launch
5.5.5. Geographical Expansion
5.5.6. Others
6. Economic Impact Analysis
6.1. Recession Impact
6.1.1. North America
6.1.2. Europe
6.1.3. Asia Pacific
6.1.4. Latin America
6.1.5. Middle East and Africa
6.2. Ukraine-Russia War Impact
6.2.1. North America
6.2.2. Europe
6.2.3. Asia Pacific
6.2.4. Latin America
6.2.5. Middle East and Africa
6.3. COVID-19 Impact Analysis
6.3.1. North America
6.3.2. Europe
6.3.3. Asia Pacific
6.3.4. Latin America
6.3.5. Middle East and Africa
7. Global Stock Music Market, By Type
7.1. Global Stock Music Market Overview by Type
7.1.1. Global Stock Music Market Revenue Share, By Type, 2022 Vs 2030 (in %)
7.2. Royalty-free Stock Music
7.2.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
7.3. Licensed Stock Music
7.3.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8. Global Stock Music Market, By Application
8.1. Global Stock Music Market Overview, by Application
8.1.1. Global Stock Music Market, By Application, 2022 vs 2030 (in %)
8.2. Film Soundtracks
8.2.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.3. Advertising
8.3.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.4. Online Content
8.4.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.5. Gaming
8.5.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.6. Television and Radio Broadcasts
8.6.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.7. Corporate and Educational Presentations
8.7.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.8. Others
8.8.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
9. Global Stock Music Market, by End User, 2017-2030 (US$ Mn)
9.1. Global Stock Music Market Overview, by End User
9.1.1. Global Stock Music Market, By End User, 2022 vs 2030 (in%)
9.2. Large Enterprises
9.2.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
9.3. SMEs
9.3.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
9.4. Individual Content Creators
9.4.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
10. Global Stock Music Market, By Region
10.1. Global Stock Music Market Overview, by Region
10.1.1. Global Stock Music Market, By Region, 2022 vs 2030 (in%)
10.2. Type
10.2.1. Global Stock Music Market, By Type, 2017-2030 (US$ Mn)
10.3. Application
10.3.1. Global Stock Music Market, By Application, 2017-2030 (US$ Mn)
10.4. End User
10.4.1. Global Stock Music Market, By End User, 2017-2030 (US$ Mn)
11. North America Stock Music Market Analysis
11.1. North America Stock Music Market, by Type, 2017-2030(US$ Mn)
11.1.1. Overview
11.1.2. SRC Analysis
11.2. North America Stock Music Market, by Application, 2017-2030(US$ Mn)
11.2.1. Overview
11.2.2. SRC Analysis
11.3. North America Stock Music Market, by End User, 2017-2030(US$ Mn)
11.3.1. Overview
11.3.2. SRC Analysis
11.4. North America Stock Music Market, by Country, 2017-2030 (US$ Mn)
11.4.1. North America Stock Music Market, by Country, 2022 Vs 2030 (in%)
11.4.2. U.S.
11.4.2.1. U.S. Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
11.4.2.2. U.S. Stock Music, By Type, 2017-2030 (US$ Mn)
11.4.2.3. U.S. Stock Music, By Application, 2017-2030 (US$ Mn)
11.4.2.4. U.S. Stock Music, By End User, 2017-2030 (US$ Mn)
11.4.3. Canada
11.4.3.1. Canada Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
11.4.3.2. Canada Stock Music, By Type, 2017-2030 (US$ Mn)
11.4.3.3. Canada Stock Music, By Application, 2017-2030 (US$ Mn)
11.4.3.4. Canada Stock Music, By End User, 2017-2030 (US$ Mn)
11.4.4. Mexico
11.4.4.1. Mexico Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
11.4.4.2. Mexico Stock Music, By Type, 2017-2030 (US$ Mn)
11.4.4.3. Mexico Stock Music, By Application, 2017-2030 (US$ Mn)
11.4.4.4. Mexico Stock Music, By End User, 2017-2030 (US$ Mn)
12. Europe Stock Music Market Analysis
12.1. Europe Stock Music Market, by Type, 2017-2030(US$ Mn)
12.1.1. Overview
12.1.2. SRC Analysis
12.2. Europe Stock Music Market, by Application, 2017-2030(US$ Mn)
12.2.1. Overview
12.2.2. SRC Analysis
12.3. Europe Stock Music Market, by End User, 2017-2030(US$ Mn)
12.3.1. Overview
12.3.2. SRC Analysis
12.4. Europe Stock Music Market, by Country, 2017-2030 (US$ Mn)
12.4.1. Europe Stock Music Market, by Country, 2022 Vs 2030 (in%)
12.4.2. Germany
12.4.2.1. Germany Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.2.2. Germany Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.2.3. Germany Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.2.4. Germany Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.3. France
12.4.3.1. France Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.3.2. France Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.3.3. France Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.3.4. France Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.4. UK
12.4.4.1. UK Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.4.2. UK Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.4.3. UK Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.4.4. UK Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.5. Italy
12.4.5.1. Italy Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.5.2. Italy Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.5.3. Italy Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.5.4. Italy Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.6. Spain
12.4.6.1. Spain Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.6.2. Spain Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.6.3. Spain Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.6.4. Spain Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.7. Rest of Europe
12.4.7.1. Rest of Europe Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.7.2. Rest of Europe Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.7.3. Rest of Europe Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.7.4. Rest of Europe Stock Music, By End User, 2017-2030 (US$ Mn)
13. Asia Pacific Stock Music Market Analysis
13.1. Asia Pacific Stock Music Market, by Type, 2017-2030(US$ Mn)
13.1.1. Overview
13.1.2. SRC Analysis
13.2. Asia Pacific Stock Music Market, by Application, 2017-2030(US$ Mn)
13.2.1. Overview
13.2.2. SRC Analysis
13.3. Asia Pacific Stock Music Market, by End User, 2017-2030(US$ Mn)
13.3.1. Overview
13.3.2. SRC Analysis
13.4. Asia Pacific Stock Music Market, by Country, 2017-2030 (US$ Mn)
13.4.1. Asia Pacific Stock Music Market, by Country, 2022 Vs 2030 (in%)
13.4.2. China
13.4.2.1. China Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.2.2. China Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.2.3. China Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.2.4. China Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.3. Japan
13.4.3.1. Japan Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.3.2. Japan Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.3.3. Japan Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.3.4. Japan Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.4. India
13.4.4.1. India Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.4.2. India Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.4.3. India Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.4.4. India Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.5. South Korea
13.4.5.1. South Korea Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.5.2. South Korea Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.5.3. South Korea Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.5.4. South Korea Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.6. South-East Asia
13.4.6.1. South-East Asia Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.6.2. South-East Asia Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.6.3. South-East Asia Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.6.4. South-East Asia Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.7. Rest of Asia Pacific
13.4.7.1. Rest of Asia Pacific Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.7.2. Rest of Asia Pacific Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.7.3. Rest of Asia Pacific Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.7.4. Rest of Asia Pacific Stock Music, By End User, 2017-2030 (US$ Mn)
14. Latin America Stock Music Market Analysis
14.1. Latin America Stock Music Market, by Type, 2017-2030(US$ Mn)
14.1.1. Overview
14.1.2. SRC Analysis
14.2. Latin America Stock Music Market, by Application, 2017-2030(US$ Mn)
14.2.1. Overview
14.2.2. SRC Analysis
14.3. Latin America Stock Music Market, by End User, 2017-2030(US$ Mn)
14.3.1. Overview
14.3.2. SRC Analysis
14.4. Latin America Stock Music Market, by Country, 2017-2030 (US$ Mn)
14.4.1. Latin America Stock Music Market, by Country, 2022 Vs 2030 (in%)
14.4.2. Brazil
14.4.2.1. Brazil Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
14.4.2.2. Brazil Stock Music, By Type, 2017-2030 (US$ Mn)
14.4.2.3. Brazil Stock Music, By Application, 2017-2030 (US$ Mn)
14.4.2.4. Brazil Stock Music, By End User, 2017-2030 (US$ Mn)
14.4.3. Argentina
14.4.3.1. Argentina Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
14.4.3.2. Argentina Stock Music, By Type, 2017-2030 (US$ Mn)
14.4.3.3. Argentina Stock Music, By Application, 2017-2030 (US$ Mn)
14.4.3.4. Argentina Stock Music, By End User, 2017-2030 (US$ Mn)
14.4.4. Rest of Latin America
14.4.4.1. Rest of Latin America Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
14.4.4.2. Rest of Latin America Stock Music, By Type, 2017-2030 (US$ Mn)
14.4.4.3. Rest of Latin America Stock Music, By Application, 2017-2030 (US$ Mn)
14.4.4.4. Rest of Latin America Stock Music, By End User, 2017-2030 (US$ Mn)
15. Middle East and Africa Stock Music Market Analysis
15.1. Middle East and Africa Stock Music Market, by Type, 2017-2030(US$ Mn)
15.1.1. Overview
15.1.2. SRC Analysis
15.2. Middle East and Africa Stock Music Market, by Application, 2017-2030(US$ Mn)
15.2.1. Overview
15.2.2. SRC Analysis
15.3. Middle East and Africa Stock Music Market, by End User, 2017-2030(US$ Mn)
15.3.1. Overview
15.3.2. SRC Analysis
15.4. Middle East and Africa Stock Music Market, by Country, 2017-2030 (US$ Mn)
15.4.1. Middle East and Africa Stock Music Market, by Country, 2022 Vs 2030 (in%)
15.4.2. GCC Countries
15.4.2.1. GCC Countries Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
15.4.2.2. GCC Countries Stock Music, By Type, 2017-2030 (US$ Mn)
15.4.2.3. GCC Countries Stock Music, By Application, 2017-2030 (US$ Mn)
15.4.2.4. GCC Countries Stock Music, By End User, 2017-2030 (US$ Mn)
15.4.3. South Africa
15.4.3.1. South Africa Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
15.4.3.2. South Africa Stock Music, By Type, 2017-2030 (US$ Mn)
15.4.3.3. South Africa Stock Music, By Application, 2017-2030 (US$ Mn)
15.4.3.4. South Africa Stock Music, By End User, 2017-2030 (US$ Mn)
15.4.4. Rest of Middle East and Africa
15.4.4.1. Rest of Middle East and Africa Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
15.4.4.2. Rest of Middle East and Africa Stock Music, By Type, 2017-2030 (US$ Mn)
15.4.4.3. Rest of Middle East and Africa Stock Music, By Application, 2017-2030 (US$ Mn)
15.4.4.4. Rest of Middle East and Africa Stock Music, By End User, 2017-2030 (US$ Mn)
16. Company Profiles
16.1. Audio Network Limited
16.1.1. Company Overview
16.1.2. Products/Services Portfolio
16.1.3. Geographical Presence
16.1.4. Financial Summary
16.1.4.1. Market Revenue and Net Profit (2019-2022)
16.1.4.2. Business Segment Revenue Analysis
16.1.4.3. Geographical Revenue Analysis
16.2. Envato Elements Pty Ltd.
16.3. Epidemic Sound
16.4. Pond5 Inc.
16.5. Shutterstock, Inc.
16.6. SoundCloud Ltd.
16.7. Inmagine Lab Pte Ltd
16.8. The Music Bed LLC
16.9. Music Vine Limited
16.10. Storyblocks.com
16.11. Soundsnap
16.12. Soundstripe Inc.
16.13. Bensound
16.14. Jamendo
16.15. ProductionHUB, Inc
 
List of Figures
FIG. 1 Global Stock Music Market: Research Methodology
FIG. 2 Market Size Estimation – Top Down & Bottom up Approach
FIG. 3 Global Stock Music Market Segmentation
FIG. 4 Global Stock Music Market, by Type, 2022 (US$ Mn)
FIG. 5 Global Stock Music Market, by Application, 2022 (US$ Mn)
FIG. 6 Global Stock Music Market, by End User, 2022 (US$ Mn)
FIG. 7 Global Stock Music Market, by Geography, 2022 (US$ Mn)
FIG. 8 Attractive Investment Proposition, by Type, 2022
FIG. 9 Attractive Investment Proposition, by Application, 2022
FIG. 10 Attractive Investment Proposition, by End User, 2022
FIG. 11 Attractive Investment Proposition, by Geography, 2022
FIG. 12 Global Market Share Analysis of Key Stock Music Market Manufacturers, 2022
FIG. 13 Global Market Positioning of Key Stock Music Market Manufacturers, 2022
FIG. 14 Global Stock Music Market Value Contribution, By Type, 2022 & 2030 (Value %)
FIG. 15 Global Stock Music Market, by Royalty-free Stock Music, Value, 2017-2030 (US$ Mn)
FIG. 16 Global Stock Music Market, by Licensed Stock Music, Value, 2017-2030 (US$ Mn)
FIG. 17 Global Stock Music Market Value Contribution, By Application, 2022 & 2030 (Value %)
FIG. 18 Global Stock Music Market, by Film Soundtracks, Value, 2017-2030 (US$ Mn)
FIG. 19 Global Stock Music Market, by Advertising, 2017-2030 (US$ Mn)
FIG. 20 Global Stock Music Market, by Online Content, 2017-2030 (US$ Mn)
FIG. 21 Global Stock Music Market, by Gaming, 2017-2030 (US$ Mn)
FIG. 22 Global Stock Music Market, by Television and Radio Broadcasts, 2017-2030 (US$ Mn)
FIG. 23 Global Stock Music Market, by Corporate and Educational Presentations, 2017-2030 (US$ Mn)
FIG. 24 Global Stock Music Market, by Others, 2017-2030 (US$ Mn)
FIG. 25 Global Stock Music Market Value Contribution, By End User, 2022 & 2030 (Value %)
FIG. 26 Global Stock Music Market, by Large Enterprises, Value, 2017-2030 (US$ Mn)
FIG. 27 Global Stock Music Market, by SMEs, 2017-2030 (US$ Mn)
FIG. 28 Global Stock Music Market, by Individual Content Creators, 2017-2030 (US$ Mn)
FIG. 29 North America Stock Music Market, 2017-2030 (US$ Mn)
FIG. 30 U.S. Stock Music Market, 2017-2030 (US$ Mn)
FIG. 31 Canada Stock Music Market, 2017-2030 (US$ Mn)
FIG. 32 Europe Stock Music Market, 2017-2030 (US$ Mn)
FIG. 33 Germany Stock Music Market, 2017-2030 (US$ Mn)
FIG. 34 France Stock Music Market, 2017-2030 (US$ Mn)
FIG. 35 U.K. Stock Music Market, 2017-2030 (US$ Mn)
FIG. 36 Italy Stock Music Market, 2017-2030 (US$ Mn)
FIG. 37 Spain Stock Music Market, 2017-2030 (US$ Mn)
FIG. 38 Rest of Europe Stock Music Market, 2017-2030 (US$ Mn)
FIG. 39 Asia Pacific Stock Music Market, 2017-2030 (US$ Mn)
FIG. 40 China Stock Music Market, 2017-2030 (US$ Mn)
FIG. 41 Japan Stock Music Market, 2017-2030 (US$ Mn)
FIG. 42 India Stock Music Market, 2017-2030 (US$ Mn)
FIG. 43 South Korea Stock Music Market, 2017-2030 (US$ Mn)
FIG. 44 South-East Asia Stock Music Market, 2017-2030 (US$ Mn)
FIG. 45 Rest of Asia Pacific Stock Music Market, 2017-2030 (US$ Mn)
FIG. 46 Latin America Stock Music Market, 2017-2030 (US$ Mn)
FIG. 47 Brazil Stock Music Market, 2017-2030 (US$ Mn)
FIG. 48 Mexico Stock Music Market, 2017-2030 (US$ Mn)
FIG. 49 Rest of Latin America Stock Music Market, 2017-2030 (US$ Mn)
FIG. 50 Middle East & Africa Stock Music Market, 2017-2030 (US$ Mn)
FIG. 51 GCC Countries Stock Music Market, 2017-2030 (US$ Mn)
FIG. 52 South Africa Stock Music Market, 2017-2030 (US$ Mn)
FIG. 53 Rest of Middle East and Africa Stock Music Market, 2017-2030 (US$ Mn)

List of Tables
TABLE 1 Market Snapshot: Global Stock Music Market
TABLE 2 Global Stock Music Market: Market Drivers Impact Analysis
TABLE 3 Global Stock Music Market: Market Restraints Impact Analysis
TABLE 4 Global Stock Music Market, by Competitive Benchmarking, 2022
TABLE 5 Global Stock Music Market, by Geographical Presence Analysis, 2022
TABLE 6 Global Stock Music Market, by Key Strategies Analysis, 2022
TABLE 7 Global Stock Music Market, by Royalty-free Stock Music, By Region, 2017-2022 (US$ Mn)
TABLE 8 Global Stock Music Market, by Royalty-free Stock Music, By Region, 2023-2030 (US$ Mn)
TABLE 9 Global Stock Music Market, by Licensed Stock Music, By Region, 2017-2022 (US$ Mn)
TABLE 10 Global Stock Music Market, by Licensed Stock Music, By Region, 2023-2030 (US$ Mn)
TABLE 11 Global Stock Music Market, by Film Soundtracks, By Region, 2017-2022 (US$ Mn)
TABLE 12 Global Stock Music Market, by Film Soundtracks, By Region, 2023-2030 (US$ Mn)
TABLE 13 Global Stock Music Market, by Advertising, By Region, 2017-2022 (US$ Mn)
TABLE 14 Global Stock Music Market, by Advertising, By Region, 2023-2030 (US$ Mn)
TABLE 15 Global Stock Music Market, by Online Content, By Region, 2017-2022 (US$ Mn)
TABLE 16 Global Stock Music Market, by Online Content, By Region, 2023-2030 (US$ Mn)
TABLE 17 Global Stock Music Market, by Gaming, By Region, 2017-2022 (US$ Mn)
TABLE 18 Global Stock Music Market, by Gaming, By Region, 2023-2030 (US$ Mn)
TABLE 19 Global Stock Music Market, by Television and Radio Broadcasts, By Region, 2017-2022 (US$ Mn)
TABLE 20 Global Stock Music Market, by Television and Radio Broadcasts, By Region, 2023-2030 (US$ Mn)
TABLE 21 Global Stock Music Market, by Corporate and Educational Presentations, By Region, 2017-2022 (US$ Mn)
TABLE 22 Global Stock Music Market, by Corporate and Educational Presentations, By Region, 2023-2030 (US$ Mn)
TABLE 23 Global Stock Music Market, by Others, By Region, 2017-2022 (US$ Mn)
TABLE 24 Global Stock Music Market, by Others, By Region, 2023-2030 (US$ Mn)
TABLE 25 Global Stock Music Market, by Large Enterprises, By Region, 2017-2022 (US$ Mn)
TABLE 26 Global Stock Music Market, by Large Enterprises, By Region, 2023-2030 (US$ Mn)
TABLE 27 Global Stock Music Market, by SMEs, By Region, 2017-2022 (US$ Mn)
TABLE 28 Global Stock Music Market, by SMEs, By Region, 2023-2030 (US$ Mn)
TABLE 29 Global Stock Music Market, by Individual Content Creators, By Region, 2017-2022 (US$ Mn)
TABLE 30 Global Stock Music Market, by Individual Content Creators, By Region, 2023-2030 (US$ Mn)
TABLE 31 Global Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 32 Global Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 33 Global Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 34 Global Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 35 Global Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 36 Global Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 37 Global Stock Music Market, by Region, 2017-2022 (US$ Mn)
TABLE 38 Global Stock Music Market, by Region, 2023-2030 (US$ Mn)
TABLE 39 North America Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 40 North America Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 41 North America Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 42 North America Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 43 North America Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 44 North America Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 45 North America Stock Music Market, by Country, 2017-2022 (US$ Mn)
TABLE 46 North America Stock Music Market, by Country, 2023-2030 (US$ Mn)
TABLE 47 United States Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 48 United States Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 49 United States Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 50 United States Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 51 United States Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 52 United States Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 53 Canada Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 54 Canada Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 55 Canada Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 56 Canada Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 57 Canada Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 58 Canada Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 59 Mexico Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 60 Mexico Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 61 Mexico Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 62 Mexico Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 63 Mexico Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 64 Mexico Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 65 Europe Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 66 Europe Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 67 Europe Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 68 Europe Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 69 Europe Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 70 Europe Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 71 Europe Stock Music Market, by Country, 2017-2022 (US$ Mn)
TABLE 72 Europe Stock Music Market, by Country, 2023-2030 (US$ Mn)
TABLE 73 Germany Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 74 Germany Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 75 Germany Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 76 Germany Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 77 Germany Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 78 Germany Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 79 France Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 80 France Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 81 France Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 82 France Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 83 France Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 84 France Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 85 United Kingdom Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 86 United Kingdom Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 87 United Kingdom Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 88 United Kingdom Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 89 United Kingdom Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 90 United Kingdom Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 91 Italy Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 92 Italy Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 93 Italy Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 94 Italy Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 95 Italy Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 96 Italy Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 97 Spain Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 98 Spain Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 99 Spain Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 100 Spain Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 101 Spain Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 102 Spain Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 103 Rest of Europe Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 104 Rest of Europe Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 105 Rest of Europe Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 106 Rest of Europe Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 107 Rest of Europe Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 108 Rest of Europe Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 109 Asia Pacific Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 110 Asia Pacific Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 111 Asia Pacific Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 112 Asia Pacific Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 113 Asia Pacific Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 114 Asia Pacific Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 115 China Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 116 China Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 117 China Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 118 China Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 119 China Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 120 China Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 121 Japan Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 122 Japan Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 123 Japan Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 124 Japan Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 125 Japan Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 126 Japan Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 127 India Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 128 India Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 129 India Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 130 India Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 131 India Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 132 India Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 133 South Korea Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 134 South Korea Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 135 South Korea Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 136 South Korea Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 137 South Korea Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 138 South Korea Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 139 South-East Asia Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 140 South-East Asia Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 141 South-East Asia Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 142 South-East Asia Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 143 South-East Asia Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 144 South-East Asia Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 145 Rest of Asia Pacific Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 146 Rest of Asia Pacific Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 147 Rest of Asia Pacific Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 148 Rest of Asia Pacific Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 149 Rest of Asia Pacific Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 150 Rest of Asia Pacific Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 151 Latin America Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 152 Latin America Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 153 Latin America Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 154 Latin America Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 155 Latin America Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 156 Latin America Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 157 Brazil Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 158 Brazil Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 159 Brazil Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 160 Brazil Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 161 Brazil Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 162 Brazil Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 163 Argentina Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 164 Argentina Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 165 Argentina Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 166 Argentina Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 167 Argentina Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 168 Argentina Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 169 Rest of Latin America Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 170 Rest of Latin America Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 171 Rest of Latin America Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 172 Rest of Latin America Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 173 Rest of Latin America Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 174 Rest of Latin America Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 175 Middle East and Africa Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 176 Middle East and Africa Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 177 Middle East and Africa Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 178 Middle East and Africa Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 179 Middle East and Africa Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 180 Middle East and Africa Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 181 GCC Countries Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 182 GCC Countries Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 183 GCC Countries Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 184 GCC Countries Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 185 GCC Countries Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 186 GCC Countries Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 187 South Africa Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 188 South Africa Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 189 South Africa Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 190 South Africa Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 191 South Africa Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 192 South Africa Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 193 Rest of Middle East and Africa Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 194 Rest of Middle East and Africa Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 195 Rest of Middle East and Africa Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 196 Rest of Middle East and Africa Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 197 Rest of Middle East and Africa Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 198 Rest of Middle East and Africa Stock Music Market, by End User, 2023-2030 (US$ Mn)

Music Streaming Subscription Services Market

Music streaming subscription services had a market value of $ 19.3 billion in 2020, and it is expected to reach $ 39.9 billion by 2027 with a CAGR of 10.9% over the forecast period.

Effects Pedal Power Supplies Market

The Global Effects Pedal Power Supplies Market size was valued at USD 260.9 million in 2018 to USD 290.0 million in 2024 and is anticipated to reach USD 391.8 million by 2032, at a CAGR of 3.9% during the forecast period.

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