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Music Publishing Market By Type (Traditional Publishing, Independent Publishing); By Rights Management (Performance Rights, Mechanical Rights, Synchronization Rights, Digital Rights); By Application (Commercial, Entertainment, Individual Creators) – Growth, Share, Opportunities & Competitive Analysis, 2024 – 2032

Report ID: 123535 | Report Format : Excel, PDF

Market Overview:

The music publishing market  size was valued at USD 24778.6 million in 2024 and is anticipated to reach USD 36889.1 million by 2032, at a CAGR of 5.1 % during the forecast period (2024-2032).

REPORT ATTRIBUTE DETAILS
Historical Period 2020-2023
Base Year 2024
Forecast Period 2025-2032
Music Publishing Market Size 2024 USD 24778.6 million
Music Publishing Market, CAGR 5.1%
Music Publishing Market Size 2032 USD 36889.1 million

 

The market is driven by the rapid rise of digital streaming services, which have transformed music consumption patterns worldwide. Growth in subscription-based platforms, expanding global internet penetration, and the integration of advanced technologies such as artificial intelligence for rights management are fueling revenue streams for publishers. Increased collaboration between artists and brands, coupled with the surge in user-generated content on platforms like TikTok and YouTube, is further accelerating licensing demand.

Regionally, North America leads the music publishing market, supported by a strong presence of global publishing houses, high streaming adoption, and robust licensing structures. Europe follows with well-established copyright frameworks and strong demand from live entertainment and advertising sectors. The Asia-Pacific region is expected to record the fastest growth, driven by booming music consumption in emerging economies such as India and China, rising smartphone penetration, and the rapid expansion of regional streaming platforms.

Music Publishing Market size

 Market Insights:

  • The music publishing market was valued at USD 24,778.6 million in 2024 and is projected to reach USD 36,889.1 million by 2032, reflecting a CAGR of 1%.
  • Rapid expansion of digital streaming platforms is the primary growth driver, supported by subscription-based and ad-supported revenue models.
  • Rising demand for synchronization rights in films, advertising, gaming, and OTT productions provides high-margin revenue streams for publishers.
  • Adoption of AI, blockchain, and digital tracking technologies is enhancing royalty management, copyright protection, and transparency.
  • The market faces challenges in royalty disputes, piracy, and revenue-sharing models that often favor digital distributors.
  • Regionally, North America leads with over 35% share, followed by Europe at nearly 30%, while Asia-Pacific grows fastest at close to 25%.
  • Expanding music consumption in emerging markets, supported by smartphone adoption, affordable internet, and local content investment, offers strong future opportunities.

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 Market Drivers:

Expansion of Digital Streaming Platforms:

The music publishing market is propelled by the explosive growth of digital streaming platforms. Subscription-based and ad-supported services create consistent revenue streams for publishers through performance and mechanical royalties. It benefits from wider consumer access to global music catalogs and personalized content delivery. The surge in music discovery via short-form video and social media platforms strengthens demand for synchronization rights. Publishers are increasingly securing favorable licensing agreements with digital service providers to maximize revenue.

  • For instance, Spotify, with over 100 million tracks and nearly 7 million podcasts, combines algorithm-driven recommendations with licensing agreements that have supported payment of $40 billion to music rights holders as of early 2025, showcasing a wide-reaching revenue generation ecosystem.

Rising Demand for Synchronization Rights:

The integration of music into films, advertisements, video games, and digital content is a critical driver of the music publishing market. Synchronization rights provide publishers with high-margin revenue opportunities and long-term brand exposure. It benefits from increasing collaborations between artists and global brands seeking to connect with audiences through music. The demand for background scores in digital streaming shows and original productions adds further momentum. Growth in online gaming also strengthens the need for curated soundtracks and licensed compositions.

  • For instance, Netflix has scaled its original programming significantly, reaching 301.6 million paid memberships globally as of 2025, requiring thousands of hours of synchronized music content across its original series and films.

Technological Advancements in Rights Management:

The adoption of artificial intelligence, blockchain, and digital tracking systems is enhancing royalty collection and transparency in the music publishing market. It allows publishers to streamline copyright enforcement and protect intellectual property in complex digital ecosystems. Automation improves accuracy in monitoring performance royalties across diverse platforms. Blockchain adoption ensures efficient contract execution and transparent revenue sharing for artists. These innovations strengthen publisher confidence in managing growing volumes of global content.

Global Music Consumption and Emerging Markets:

Rising smartphone penetration, affordable data, and expanding regional streaming services are fueling growth of the music publishing market in emerging economies. It gains traction from young populations with strong appetite for international and local music. Governments supporting copyright reforms and improved enforcement frameworks create a favorable environment. Expanding middle-class income levels and digital adoption increase willingness to pay for premium music services. These dynamics expand the global reach and monetization potential for publishers.

 Market Trends:

Growth of Independent Publishing and Artist-Centric Models;

The music publishing market is witnessing a significant shift toward independent publishing and direct-to-artist models. Artists are increasingly seeking control over their rights and revenue streams, driving growth in boutique publishing firms and self-publishing platforms. It benefits from digital tools that simplify rights management, royalty collection, and global distribution. Independent publishers are leveraging technology to provide flexible contracts and transparent revenue sharing, which attract emerging and established artists. Social media platforms and digital distribution channels amplify artist visibility, enabling them to bypass traditional publishing structures. This trend is reshaping competitive dynamics by reducing reliance on large, legacy publishing houses.

  • For Instance, BeatStars provides a marketplace for independent producers and artists, generating over $100 million in payouts to creators by 2024, demonstrating the scale of direct artist monetization through technology-driven platforms.

Integration of Technology and Data-Driven Insights:

Technological innovation is transforming operational efficiency and strategic decision-making within the music publishing market. Artificial intelligence supports predictive analytics for royalty forecasting, licensing optimization, and music recommendation systems. It enhances rights tracking across multiple digital platforms, ensuring greater accuracy in royalty distribution. Blockchain solutions are gaining traction for secure contract management and transparent revenue sharing between artists and publishers. Data-driven insights allow publishers to align content with audience preferences, increasing the value of synchronization deals across entertainment and advertising. The adoption of advanced technologies strengthens market confidence and broadens monetization opportunities for global music catalogs.

  • For example, the Mycelia Creative Passport by Imogen Heap, built on blockchain, securely manages music rights and payment terms, supporting transparent royalty distribution for over 10,000 artists globally.

 Market Challenges Analysis:

Complexities in Copyright and Royalty Management:

The music publishing market faces persistent challenges in managing copyright ownership and royalty distribution across diverse platforms. Fragmented licensing structures create disputes between publishers, artists, and digital service providers. It struggles with inconsistent copyright enforcement across regions, which limits transparency and revenue collection. Emerging markets often lack robust legal frameworks, making piracy a serious issue for publishers. Delayed royalty payments and disputes over performance rights undermine artist confidence. These challenges highlight the need for standardized, technology-driven solutions to streamline processes.

Pressure from Market Consolidation and Revenue Models:

Industry consolidation among major publishers creates barriers for independent players seeking fair representation. The dominance of streaming platforms also shifts bargaining power, forcing publishers to negotiate under revenue-sharing models that often favor distributors. It struggles with declining margins from physical sales and traditional broadcasting while relying heavily on streaming growth. Rising competition from self-publishing tools further intensifies pressure on established publishers. Uncertainty in advertising-based monetization adds volatility to revenue streams. These structural issues demand adaptive strategies to protect long-term sustainability.

 Market Opportunities:

Expansion of Global Streaming and Emerging Market Potential:

The music publishing market has strong opportunities through the rapid expansion of global streaming platforms and growing penetration in emerging economies. Rising internet access and affordable smartphones are driving demand for licensed music in countries such as India, Brazil, and Indonesia. It benefits from young demographics and increasing willingness to pay for premium subscriptions. Regional streaming services are forging partnerships with publishers to secure exclusive content, creating new revenue channels. Cross-border collaborations between international and local artists enhance the appeal of licensed catalogs. These trends expand the reach of publishers and strengthen global monetization prospects.

Growth of Synchronization and Innovative Licensing Models

Rising demand for synchronization rights in advertising, gaming, and digital media offers a lucrative opportunity for the music publishing market. Brands and entertainment platforms are investing in unique soundtracks to improve audience engagement and brand recall. It gains from the surge in original content production on OTT platforms, where music plays a vital role in storytelling. New licensing models such as micro-licensing enable easier access for independent creators, small businesses, and influencers. The rise of immersive technologies like VR and AR also creates fresh avenues for music integration. These opportunities support publishers in diversifying income streams and strengthening market relevance.

 Market Segmentation Analysis:

By Type:

By type, the market includes traditional publishing and independent publishing. Traditional publishing dominates with large catalogs, global reach, and established licensing networks. Independent publishing is expanding as artists pursue flexible contracts, transparent royalty structures, and greater creative control. Growth of digital platforms supports independent models, allowing emerging artists to access global audiences without relying heavily on major publishers.

  • For instance, Kobo Writing Life facilitated distribution of over 350,000 indie-published ebook titles to readers in more than 190 countries in 2024, highlighting its global digital reach.

By Rights Management;

By rights management, the market covers performance rights, mechanical rights, synchronization rights, and digital rights. Performance rights lead with steady revenue from live performances, broadcasting, and streaming royalties. Synchronization rights are growing fastest, driven by high demand in advertising, gaming, and OTT productions. Mechanical and digital rights also hold strong positions as streaming adoption expands worldwide.

  • For instance, ASCAP reported distributing over 1.3 billion US dollars in performance royalties to its members in 2024, reflecting strong ongoing demand for live and broadcast music usage.

By Application:

By application, the market serves commercial, entertainment, and individual creators. Commercial applications dominate through advertising, films, and corporate branding initiatives that integrate licensed music. Entertainment applications thrive in television, gaming, and live shows where music enhances consumer engagement. Individual creators are emerging as a growing segment, supported by micro-licensing and accessible self-publishing tools. These applications broaden the market scope and reinforce its long-term growth potential.

Segmentations:

By Type:

  • Traditional Publishing
  • Independent Publishing

By Rights Management:

  • Performance Rights
  • Mechanical Rights
  • Synchronization Rights
  • Digital Rights

By Application:

  • Commercial
  • Entertainment
  • Individual Creators

By Region:

  • North America
    • U.S.
    • Canada
    • Mexico
  • Europe
    • Germany
    • France
    • U.K.
    • Italy
    • Spain
    • Rest of Europe
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • South-east Asia
    • Rest of Asia Pacific
  • Latin America
    • Brazil
    • Argentina
    • Rest of Latin America
  • Middle East & Africa
    • GCC Countries
    • South Africa
    • Rest of the Middle East and Africa

Regional Analysis:

North America :

North America holds the largest market share of the music publishing market at over 35%, driven by established industry players and advanced copyright enforcement systems. The region accounts for a dominant portion of global revenues supported by streaming, synchronization, and performance rights. It benefits from the presence of leading publishing houses that actively partner with digital service providers. High consumer spending on premium streaming subscriptions and live music events reinforces growth. Strong legal frameworks ensure transparent royalty collection and protection of intellectual property. Expanding collaborations between publishers and entertainment companies further strengthen regional leadership.

Europe :

Europe commands a significant market share of the music publishing market at nearly 30%, supported by well-defined copyright laws and cross-border licensing initiatives. The region maintains steady revenues through collective rights management organizations and diverse cultural content. It benefits from a mature live performance ecosystem and strong adoption of digital streaming services. Government-backed initiatives promoting fair remuneration for artists reinforce publisher confidence. Rising demand for synchronization rights in advertising, films, and television boosts growth. Expanding partnerships between European publishers and global platforms enhance content accessibility across international markets.

Asia-Pacific :

Asia-Pacific captures a growing market share of the music publishing market at close to 25%, fueled by rapid digitization and expanding streaming penetration. The region records the fastest revenue growth, supported by young demographics and increasing investment in local content. It thrives on the popularity of regional music industries such as K-pop, Bollywood, and J-pop, which attract global licensing opportunities. Affordable internet access and smartphone adoption drive higher consumption of licensed music across emerging economies. Government reforms to strengthen copyright protection create favorable conditions for publishers. Strategic alliances between global and regional platforms continue to accelerate market expansion.

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Key Player Analysis:

  • Sony/ATV Music Publishing LLC
  • Warner/Chappell Music Inc.
  • Universal Music Publishing Group
  • BMG Rights Management
  • Avatar Publishing Group
  • Broadcast Music, Inc.
  • Super Cassettes Industries Private Ltd.
  • Criterion Music Corporation
  • Mass Appeal India
  • Downtown Music Publishing
  • Kobalt Music Publishing
  • Concord Music Publishing

Competitive Analysis:

The music publishing market is highly competitive, dominated by global leaders with extensive catalogs and strong licensing networks. Key players include Sony/ATV Music Publishing LLC, Warner/Chappell Music Inc., Universal Music Publishing Group, BMG Rights Management, Avatar Publishing Group, Broadcast Music, Inc., Super Cassettes Industries Private Ltd., Criterion Music Corporation, and Mass Appeal India. It reflects a mix of multinational corporations and regional firms leveraging local content strengths. Large publishers hold significant bargaining power through global distribution channels and strategic partnerships with streaming platforms, brands, and entertainment companies. Regional players focus on niche markets, cultural diversity, and artist-centric models to strengthen competitiveness. Expanding demand for synchronization rights in advertising, films, and gaming creates opportunities for both global and local publishers. The market emphasizes innovation in rights management, transparent royalty systems, and cross-border collaborations to sustain growth and enhance long-term industry influence.

Recent Developments:

  • In June 2025, Sony Music Publishing acquired Hipgnosis Songs Group, adding approximately 4,400 copyright assets from artists including Sabrina Carpenter, St. Vincent, and Kali Uchis to its global portfolio.
  • In January 2025, Universal Music Publishing Group and Universal Music Group finalized a multi-year partnership agreement with Spotify, introducing new paid subscription tiers and innovative licensing arrangements to improve experiences for artists, songwriters, and consumers.
  • In January 2025, BMG brought the artist and label rights of the German band Seeed under one roof, consolidating the group’s first five albums into its catalog.

 Market Concentration & Characteristics:

The music publishing market is moderately concentrated, with a few global players such as Universal Music Publishing, Sony Music Publishing, and Warner Chappell dominating industry revenues. It is characterized by long-term licensing agreements, extensive copyright portfolios, and strong bargaining power with digital service providers. Independent publishers hold a growing presence by offering flexible contracts and transparent royalty structures, appealing to emerging artists. The market demonstrates high entry barriers due to complex copyright regulations and the need for scale in rights management. Strategic collaborations with streaming platforms, gaming companies, and advertising agencies define competitive positioning. Strong reliance on digital revenues highlights the market’s shift toward technology-driven operations and globalized content distribution.

Report Coverage:

The research report offers an in-depth analysis based on Type, Rights Management, Application and Region. It details leading  Market players, providing an overview of their business, product offerings, investments, revenue streams, and key applications. Additionally, the report includes insights into the competitive environment, SWOT analysis, current  Market trends, as well as the primary drivers and constraints. Furthermore, it discusses various factors that have driven  Market expansion in recent years. The report also explores  Market dynamics, regulatory scenarios, and technological advancements that are shaping the industry. It assesses the impact of external factors and global economic changes on  Market growth. Lastly, it provides strategic recommendations for new entrants and established companies to navigate the complexities of the  Market.

Future Outlook:

  • The music publishing market will experience sustained growth through stronger integration with global streaming platforms.
  • Publishers will expand revenue streams by focusing on synchronization rights across films, gaming, advertising, and OTT platforms.
  • Independent publishers and self-publishing platforms will capture greater relevance by empowering artists with transparent contracts and data-driven tools.
  • Advances in blockchain and artificial intelligence will improve rights tracking, royalty distribution, and copyright protection.
  • Cross-border collaborations between global and regional artists will increase the value of licensed catalogs.
  • Emerging markets in Asia-Pacific, Latin America, and Africa will play a pivotal role due to rising digital adoption and young consumer demographics.
  • Publishers will strengthen partnerships with brands and entertainment companies to monetize music in immersive technologies such as VR and AR.
  • The rise of micro-licensing models will create new opportunities for small businesses, content creators, and influencers.
  • Regulatory reforms in key regions will enhance transparency, ensuring fair compensation for artists and publishers.
  • The market will evolve toward a balanced ecosystem where large publishers, independent players, and digital platforms collaborate to maximize global music consumption and monetization.

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Frequently Asked Questions

What is the current market size for the music publishing market, and what is its projected size in 2032?

The music publishing market was valued at USD 24,778.6 million in 2024 and is projected to reach USD 36,889.1 million by 2032.

Which music publishing market segment held the largest share in 2024?

The performance rights segment held the largest share in 2024, supported by strong revenues from live performances, broadcasting, and streaming royalties.

What are the primary factors fueling the growth of the music publishing market?

Key growth drivers include the expansion of digital streaming platforms, rising synchronization demand, and adoption of AI and blockchain for rights management.

Who are the leading companies in the music publishing market?

Major players include Sony/ATV Music Publishing LLC, Warner/Chappell Music Inc., Universal Music Publishing Group, BMG Rights Management, and Broadcast Music, Inc.

About Author

Sushant Phapale

Sushant Phapale

ICT & Automation Expert

Sushant is an expert in ICT, automation, and electronics with a passion for innovation and market trends.

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Stock Music Market

The global stock music market is anticipated to grow at a substantial CAGR of 11.30% in the upcoming years1. Preface
1.1. Report Description
1.1.1. Purpose of the Report
1.1.2. Target Audience
1.1.3. USP and Key Offerings
1.2. Research Scope
1.3. Research Methodology
1.3.1. Phase I – Secondary Research
1.3.2. Phase II – Data Modelling
1.3.2.1. Company Share Analysis Model
1.3.2.2. Revenue Based Modelling
1.3.3. Phase III – Primary Research
1.3.4. Research Limitations
1.3.5. Assumptions
1.4. Market Introduction
1.5. Market Research Scope
2. Executive Summary
2.1. Market Snapshot: Global Stock Music Market
2.2. Global Stock Music Market, By Type
2.3. Global Stock Music Market, By Application
2.4. Global Stock Music Market, By End User
2.5. Global Stock Music Market, By Region
3. Market Dynamics & Factors Analysis
3.1. Introduction
3.1.1. Global Stock Music Market Value, 2017-2030, (US$ Mn)
3.1.2. Y-o-Y Growth Trend Analysis
3.2. Market Dynamics
3.2.1. Market Drivers
3.2.1.1. Driver 1
3.2.1.2. Driver 2
3.2.1.3. Driver 3
3.2.2. Market Restraints
3.2.2.1. Restraint 1
3.2.2.2. Restraint 2
3.2.3. Market Opportunities
3.2.3.1. Opportunity 1
3.2.3.2. Opportunity 2
3.2.4. Major Industry Challenges
3.2.4.1. Challenge 1
3.2.4.2. Challenge 2
3.3. Growth and Development Patterns
3.4. Investment Feasibility Analysis
3.5. Market Opportunity Analysis
3.5.1. Type
3.5.2. Application
3.5.3. End User
3.5.4. Geography
4. Premium Insights
4.1. STAR (Situation, Task, Action, Results) Analysis
4.2. Porter’s Five Forces Analysis
4.2.1. Threat of New Entrants
4.2.2. Bargaining Power of Buyers/Consumers
4.2.3. Bargaining Power of Suppliers
4.2.4. Threat of Substitute Types
4.2.5. Intensity of Competitive Rivalry
4.3. Key Market Trends
4.3.1. Demand Side Trends
4.3.2. Supply Side Trends
4.4. Value Chain Analysis
4.5. Type Analysis
4.6. Analysis and Recommendations
4.7. Marketing Strategy Analysis
4.7.1. Direct Marketing
4.7.2. Indirect Marketing
4.7.3. Marketing Channel Development Trend
5. Market Positioning of Key Players, 2022
5.1. Company market share of key players, 2022
5.2. Competitive Benchmarking
5.3. Market Positioning of Key Vendors
5.4. Geographical Presence Analysis
5.5. Major Strategies Adopted by Key Players
5.5.1. Key Strategies Analysis
5.5.2. Mergers and Acquisitions
5.5.3. Partnerships
5.5.4. Product Launch
5.5.5. Geographical Expansion
5.5.6. Others
6. Economic Impact Analysis
6.1. Recession Impact
6.1.1. North America
6.1.2. Europe
6.1.3. Asia Pacific
6.1.4. Latin America
6.1.5. Middle East and Africa
6.2. Ukraine-Russia War Impact
6.2.1. North America
6.2.2. Europe
6.2.3. Asia Pacific
6.2.4. Latin America
6.2.5. Middle East and Africa
6.3. COVID-19 Impact Analysis
6.3.1. North America
6.3.2. Europe
6.3.3. Asia Pacific
6.3.4. Latin America
6.3.5. Middle East and Africa
7. Global Stock Music Market, By Type
7.1. Global Stock Music Market Overview by Type
7.1.1. Global Stock Music Market Revenue Share, By Type, 2022 Vs 2030 (in %)
7.2. Royalty-free Stock Music
7.2.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
7.3. Licensed Stock Music
7.3.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8. Global Stock Music Market, By Application
8.1. Global Stock Music Market Overview, by Application
8.1.1. Global Stock Music Market, By Application, 2022 vs 2030 (in %)
8.2. Film Soundtracks
8.2.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.3. Advertising
8.3.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.4. Online Content
8.4.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.5. Gaming
8.5.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.6. Television and Radio Broadcasts
8.6.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.7. Corporate and Educational Presentations
8.7.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.8. Others
8.8.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
9. Global Stock Music Market, by End User, 2017-2030 (US$ Mn)
9.1. Global Stock Music Market Overview, by End User
9.1.1. Global Stock Music Market, By End User, 2022 vs 2030 (in%)
9.2. Large Enterprises
9.2.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
9.3. SMEs
9.3.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
9.4. Individual Content Creators
9.4.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
10. Global Stock Music Market, By Region
10.1. Global Stock Music Market Overview, by Region
10.1.1. Global Stock Music Market, By Region, 2022 vs 2030 (in%)
10.2. Type
10.2.1. Global Stock Music Market, By Type, 2017-2030 (US$ Mn)
10.3. Application
10.3.1. Global Stock Music Market, By Application, 2017-2030 (US$ Mn)
10.4. End User
10.4.1. Global Stock Music Market, By End User, 2017-2030 (US$ Mn)
11. North America Stock Music Market Analysis
11.1. North America Stock Music Market, by Type, 2017-2030(US$ Mn)
11.1.1. Overview
11.1.2. SRC Analysis
11.2. North America Stock Music Market, by Application, 2017-2030(US$ Mn)
11.2.1. Overview
11.2.2. SRC Analysis
11.3. North America Stock Music Market, by End User, 2017-2030(US$ Mn)
11.3.1. Overview
11.3.2. SRC Analysis
11.4. North America Stock Music Market, by Country, 2017-2030 (US$ Mn)
11.4.1. North America Stock Music Market, by Country, 2022 Vs 2030 (in%)
11.4.2. U.S.
11.4.2.1. U.S. Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
11.4.2.2. U.S. Stock Music, By Type, 2017-2030 (US$ Mn)
11.4.2.3. U.S. Stock Music, By Application, 2017-2030 (US$ Mn)
11.4.2.4. U.S. Stock Music, By End User, 2017-2030 (US$ Mn)
11.4.3. Canada
11.4.3.1. Canada Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
11.4.3.2. Canada Stock Music, By Type, 2017-2030 (US$ Mn)
11.4.3.3. Canada Stock Music, By Application, 2017-2030 (US$ Mn)
11.4.3.4. Canada Stock Music, By End User, 2017-2030 (US$ Mn)
11.4.4. Mexico
11.4.4.1. Mexico Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
11.4.4.2. Mexico Stock Music, By Type, 2017-2030 (US$ Mn)
11.4.4.3. Mexico Stock Music, By Application, 2017-2030 (US$ Mn)
11.4.4.4. Mexico Stock Music, By End User, 2017-2030 (US$ Mn)
12. Europe Stock Music Market Analysis
12.1. Europe Stock Music Market, by Type, 2017-2030(US$ Mn)
12.1.1. Overview
12.1.2. SRC Analysis
12.2. Europe Stock Music Market, by Application, 2017-2030(US$ Mn)
12.2.1. Overview
12.2.2. SRC Analysis
12.3. Europe Stock Music Market, by End User, 2017-2030(US$ Mn)
12.3.1. Overview
12.3.2. SRC Analysis
12.4. Europe Stock Music Market, by Country, 2017-2030 (US$ Mn)
12.4.1. Europe Stock Music Market, by Country, 2022 Vs 2030 (in%)
12.4.2. Germany
12.4.2.1. Germany Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.2.2. Germany Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.2.3. Germany Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.2.4. Germany Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.3. France
12.4.3.1. France Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.3.2. France Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.3.3. France Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.3.4. France Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.4. UK
12.4.4.1. UK Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.4.2. UK Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.4.3. UK Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.4.4. UK Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.5. Italy
12.4.5.1. Italy Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.5.2. Italy Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.5.3. Italy Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.5.4. Italy Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.6. Spain
12.4.6.1. Spain Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.6.2. Spain Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.6.3. Spain Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.6.4. Spain Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.7. Rest of Europe
12.4.7.1. Rest of Europe Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.7.2. Rest of Europe Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.7.3. Rest of Europe Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.7.4. Rest of Europe Stock Music, By End User, 2017-2030 (US$ Mn)
13. Asia Pacific Stock Music Market Analysis
13.1. Asia Pacific Stock Music Market, by Type, 2017-2030(US$ Mn)
13.1.1. Overview
13.1.2. SRC Analysis
13.2. Asia Pacific Stock Music Market, by Application, 2017-2030(US$ Mn)
13.2.1. Overview
13.2.2. SRC Analysis
13.3. Asia Pacific Stock Music Market, by End User, 2017-2030(US$ Mn)
13.3.1. Overview
13.3.2. SRC Analysis
13.4. Asia Pacific Stock Music Market, by Country, 2017-2030 (US$ Mn)
13.4.1. Asia Pacific Stock Music Market, by Country, 2022 Vs 2030 (in%)
13.4.2. China
13.4.2.1. China Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.2.2. China Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.2.3. China Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.2.4. China Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.3. Japan
13.4.3.1. Japan Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.3.2. Japan Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.3.3. Japan Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.3.4. Japan Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.4. India
13.4.4.1. India Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.4.2. India Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.4.3. India Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.4.4. India Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.5. South Korea
13.4.5.1. South Korea Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.5.2. South Korea Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.5.3. South Korea Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.5.4. South Korea Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.6. South-East Asia
13.4.6.1. South-East Asia Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.6.2. South-East Asia Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.6.3. South-East Asia Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.6.4. South-East Asia Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.7. Rest of Asia Pacific
13.4.7.1. Rest of Asia Pacific Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.7.2. Rest of Asia Pacific Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.7.3. Rest of Asia Pacific Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.7.4. Rest of Asia Pacific Stock Music, By End User, 2017-2030 (US$ Mn)
14. Latin America Stock Music Market Analysis
14.1. Latin America Stock Music Market, by Type, 2017-2030(US$ Mn)
14.1.1. Overview
14.1.2. SRC Analysis
14.2. Latin America Stock Music Market, by Application, 2017-2030(US$ Mn)
14.2.1. Overview
14.2.2. SRC Analysis
14.3. Latin America Stock Music Market, by End User, 2017-2030(US$ Mn)
14.3.1. Overview
14.3.2. SRC Analysis
14.4. Latin America Stock Music Market, by Country, 2017-2030 (US$ Mn)
14.4.1. Latin America Stock Music Market, by Country, 2022 Vs 2030 (in%)
14.4.2. Brazil
14.4.2.1. Brazil Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
14.4.2.2. Brazil Stock Music, By Type, 2017-2030 (US$ Mn)
14.4.2.3. Brazil Stock Music, By Application, 2017-2030 (US$ Mn)
14.4.2.4. Brazil Stock Music, By End User, 2017-2030 (US$ Mn)
14.4.3. Argentina
14.4.3.1. Argentina Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
14.4.3.2. Argentina Stock Music, By Type, 2017-2030 (US$ Mn)
14.4.3.3. Argentina Stock Music, By Application, 2017-2030 (US$ Mn)
14.4.3.4. Argentina Stock Music, By End User, 2017-2030 (US$ Mn)
14.4.4. Rest of Latin America
14.4.4.1. Rest of Latin America Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
14.4.4.2. Rest of Latin America Stock Music, By Type, 2017-2030 (US$ Mn)
14.4.4.3. Rest of Latin America Stock Music, By Application, 2017-2030 (US$ Mn)
14.4.4.4. Rest of Latin America Stock Music, By End User, 2017-2030 (US$ Mn)
15. Middle East and Africa Stock Music Market Analysis
15.1. Middle East and Africa Stock Music Market, by Type, 2017-2030(US$ Mn)
15.1.1. Overview
15.1.2. SRC Analysis
15.2. Middle East and Africa Stock Music Market, by Application, 2017-2030(US$ Mn)
15.2.1. Overview
15.2.2. SRC Analysis
15.3. Middle East and Africa Stock Music Market, by End User, 2017-2030(US$ Mn)
15.3.1. Overview
15.3.2. SRC Analysis
15.4. Middle East and Africa Stock Music Market, by Country, 2017-2030 (US$ Mn)
15.4.1. Middle East and Africa Stock Music Market, by Country, 2022 Vs 2030 (in%)
15.4.2. GCC Countries
15.4.2.1. GCC Countries Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
15.4.2.2. GCC Countries Stock Music, By Type, 2017-2030 (US$ Mn)
15.4.2.3. GCC Countries Stock Music, By Application, 2017-2030 (US$ Mn)
15.4.2.4. GCC Countries Stock Music, By End User, 2017-2030 (US$ Mn)
15.4.3. South Africa
15.4.3.1. South Africa Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
15.4.3.2. South Africa Stock Music, By Type, 2017-2030 (US$ Mn)
15.4.3.3. South Africa Stock Music, By Application, 2017-2030 (US$ Mn)
15.4.3.4. South Africa Stock Music, By End User, 2017-2030 (US$ Mn)
15.4.4. Rest of Middle East and Africa
15.4.4.1. Rest of Middle East and Africa Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
15.4.4.2. Rest of Middle East and Africa Stock Music, By Type, 2017-2030 (US$ Mn)
15.4.4.3. Rest of Middle East and Africa Stock Music, By Application, 2017-2030 (US$ Mn)
15.4.4.4. Rest of Middle East and Africa Stock Music, By End User, 2017-2030 (US$ Mn)
16. Company Profiles
16.1. Audio Network Limited
16.1.1. Company Overview
16.1.2. Products/Services Portfolio
16.1.3. Geographical Presence
16.1.4. Financial Summary
16.1.4.1. Market Revenue and Net Profit (2019-2022)
16.1.4.2. Business Segment Revenue Analysis
16.1.4.3. Geographical Revenue Analysis
16.2. Envato Elements Pty Ltd.
16.3. Epidemic Sound
16.4. Pond5 Inc.
16.5. Shutterstock, Inc.
16.6. SoundCloud Ltd.
16.7. Inmagine Lab Pte Ltd
16.8. The Music Bed LLC
16.9. Music Vine Limited
16.10. Storyblocks.com
16.11. Soundsnap
16.12. Soundstripe Inc.
16.13. Bensound
16.14. Jamendo
16.15. ProductionHUB, Inc
 
List of Figures
FIG. 1 Global Stock Music Market: Research Methodology
FIG. 2 Market Size Estimation – Top Down & Bottom up Approach
FIG. 3 Global Stock Music Market Segmentation
FIG. 4 Global Stock Music Market, by Type, 2022 (US$ Mn)
FIG. 5 Global Stock Music Market, by Application, 2022 (US$ Mn)
FIG. 6 Global Stock Music Market, by End User, 2022 (US$ Mn)
FIG. 7 Global Stock Music Market, by Geography, 2022 (US$ Mn)
FIG. 8 Attractive Investment Proposition, by Type, 2022
FIG. 9 Attractive Investment Proposition, by Application, 2022
FIG. 10 Attractive Investment Proposition, by End User, 2022
FIG. 11 Attractive Investment Proposition, by Geography, 2022
FIG. 12 Global Market Share Analysis of Key Stock Music Market Manufacturers, 2022
FIG. 13 Global Market Positioning of Key Stock Music Market Manufacturers, 2022
FIG. 14 Global Stock Music Market Value Contribution, By Type, 2022 & 2030 (Value %)
FIG. 15 Global Stock Music Market, by Royalty-free Stock Music, Value, 2017-2030 (US$ Mn)
FIG. 16 Global Stock Music Market, by Licensed Stock Music, Value, 2017-2030 (US$ Mn)
FIG. 17 Global Stock Music Market Value Contribution, By Application, 2022 & 2030 (Value %)
FIG. 18 Global Stock Music Market, by Film Soundtracks, Value, 2017-2030 (US$ Mn)
FIG. 19 Global Stock Music Market, by Advertising, 2017-2030 (US$ Mn)
FIG. 20 Global Stock Music Market, by Online Content, 2017-2030 (US$ Mn)
FIG. 21 Global Stock Music Market, by Gaming, 2017-2030 (US$ Mn)
FIG. 22 Global Stock Music Market, by Television and Radio Broadcasts, 2017-2030 (US$ Mn)
FIG. 23 Global Stock Music Market, by Corporate and Educational Presentations, 2017-2030 (US$ Mn)
FIG. 24 Global Stock Music Market, by Others, 2017-2030 (US$ Mn)
FIG. 25 Global Stock Music Market Value Contribution, By End User, 2022 & 2030 (Value %)
FIG. 26 Global Stock Music Market, by Large Enterprises, Value, 2017-2030 (US$ Mn)
FIG. 27 Global Stock Music Market, by SMEs, 2017-2030 (US$ Mn)
FIG. 28 Global Stock Music Market, by Individual Content Creators, 2017-2030 (US$ Mn)
FIG. 29 North America Stock Music Market, 2017-2030 (US$ Mn)
FIG. 30 U.S. Stock Music Market, 2017-2030 (US$ Mn)
FIG. 31 Canada Stock Music Market, 2017-2030 (US$ Mn)
FIG. 32 Europe Stock Music Market, 2017-2030 (US$ Mn)
FIG. 33 Germany Stock Music Market, 2017-2030 (US$ Mn)
FIG. 34 France Stock Music Market, 2017-2030 (US$ Mn)
FIG. 35 U.K. Stock Music Market, 2017-2030 (US$ Mn)
FIG. 36 Italy Stock Music Market, 2017-2030 (US$ Mn)
FIG. 37 Spain Stock Music Market, 2017-2030 (US$ Mn)
FIG. 38 Rest of Europe Stock Music Market, 2017-2030 (US$ Mn)
FIG. 39 Asia Pacific Stock Music Market, 2017-2030 (US$ Mn)
FIG. 40 China Stock Music Market, 2017-2030 (US$ Mn)
FIG. 41 Japan Stock Music Market, 2017-2030 (US$ Mn)
FIG. 42 India Stock Music Market, 2017-2030 (US$ Mn)
FIG. 43 South Korea Stock Music Market, 2017-2030 (US$ Mn)
FIG. 44 South-East Asia Stock Music Market, 2017-2030 (US$ Mn)
FIG. 45 Rest of Asia Pacific Stock Music Market, 2017-2030 (US$ Mn)
FIG. 46 Latin America Stock Music Market, 2017-2030 (US$ Mn)
FIG. 47 Brazil Stock Music Market, 2017-2030 (US$ Mn)
FIG. 48 Mexico Stock Music Market, 2017-2030 (US$ Mn)
FIG. 49 Rest of Latin America Stock Music Market, 2017-2030 (US$ Mn)
FIG. 50 Middle East & Africa Stock Music Market, 2017-2030 (US$ Mn)
FIG. 51 GCC Countries Stock Music Market, 2017-2030 (US$ Mn)
FIG. 52 South Africa Stock Music Market, 2017-2030 (US$ Mn)
FIG. 53 Rest of Middle East and Africa Stock Music Market, 2017-2030 (US$ Mn)

List of Tables
TABLE 1 Market Snapshot: Global Stock Music Market
TABLE 2 Global Stock Music Market: Market Drivers Impact Analysis
TABLE 3 Global Stock Music Market: Market Restraints Impact Analysis
TABLE 4 Global Stock Music Market, by Competitive Benchmarking, 2022
TABLE 5 Global Stock Music Market, by Geographical Presence Analysis, 2022
TABLE 6 Global Stock Music Market, by Key Strategies Analysis, 2022
TABLE 7 Global Stock Music Market, by Royalty-free Stock Music, By Region, 2017-2022 (US$ Mn)
TABLE 8 Global Stock Music Market, by Royalty-free Stock Music, By Region, 2023-2030 (US$ Mn)
TABLE 9 Global Stock Music Market, by Licensed Stock Music, By Region, 2017-2022 (US$ Mn)
TABLE 10 Global Stock Music Market, by Licensed Stock Music, By Region, 2023-2030 (US$ Mn)
TABLE 11 Global Stock Music Market, by Film Soundtracks, By Region, 2017-2022 (US$ Mn)
TABLE 12 Global Stock Music Market, by Film Soundtracks, By Region, 2023-2030 (US$ Mn)
TABLE 13 Global Stock Music Market, by Advertising, By Region, 2017-2022 (US$ Mn)
TABLE 14 Global Stock Music Market, by Advertising, By Region, 2023-2030 (US$ Mn)
TABLE 15 Global Stock Music Market, by Online Content, By Region, 2017-2022 (US$ Mn)
TABLE 16 Global Stock Music Market, by Online Content, By Region, 2023-2030 (US$ Mn)
TABLE 17 Global Stock Music Market, by Gaming, By Region, 2017-2022 (US$ Mn)
TABLE 18 Global Stock Music Market, by Gaming, By Region, 2023-2030 (US$ Mn)
TABLE 19 Global Stock Music Market, by Television and Radio Broadcasts, By Region, 2017-2022 (US$ Mn)
TABLE 20 Global Stock Music Market, by Television and Radio Broadcasts, By Region, 2023-2030 (US$ Mn)
TABLE 21 Global Stock Music Market, by Corporate and Educational Presentations, By Region, 2017-2022 (US$ Mn)
TABLE 22 Global Stock Music Market, by Corporate and Educational Presentations, By Region, 2023-2030 (US$ Mn)
TABLE 23 Global Stock Music Market, by Others, By Region, 2017-2022 (US$ Mn)
TABLE 24 Global Stock Music Market, by Others, By Region, 2023-2030 (US$ Mn)
TABLE 25 Global Stock Music Market, by Large Enterprises, By Region, 2017-2022 (US$ Mn)
TABLE 26 Global Stock Music Market, by Large Enterprises, By Region, 2023-2030 (US$ Mn)
TABLE 27 Global Stock Music Market, by SMEs, By Region, 2017-2022 (US$ Mn)
TABLE 28 Global Stock Music Market, by SMEs, By Region, 2023-2030 (US$ Mn)
TABLE 29 Global Stock Music Market, by Individual Content Creators, By Region, 2017-2022 (US$ Mn)
TABLE 30 Global Stock Music Market, by Individual Content Creators, By Region, 2023-2030 (US$ Mn)
TABLE 31 Global Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 32 Global Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 33 Global Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 34 Global Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 35 Global Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 36 Global Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 37 Global Stock Music Market, by Region, 2017-2022 (US$ Mn)
TABLE 38 Global Stock Music Market, by Region, 2023-2030 (US$ Mn)
TABLE 39 North America Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 40 North America Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 41 North America Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 42 North America Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 43 North America Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 44 North America Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 45 North America Stock Music Market, by Country, 2017-2022 (US$ Mn)
TABLE 46 North America Stock Music Market, by Country, 2023-2030 (US$ Mn)
TABLE 47 United States Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 48 United States Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 49 United States Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 50 United States Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 51 United States Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 52 United States Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 53 Canada Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 54 Canada Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 55 Canada Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 56 Canada Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 57 Canada Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 58 Canada Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 59 Mexico Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 60 Mexico Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 61 Mexico Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 62 Mexico Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 63 Mexico Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 64 Mexico Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 65 Europe Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 66 Europe Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 67 Europe Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 68 Europe Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 69 Europe Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 70 Europe Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 71 Europe Stock Music Market, by Country, 2017-2022 (US$ Mn)
TABLE 72 Europe Stock Music Market, by Country, 2023-2030 (US$ Mn)
TABLE 73 Germany Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 74 Germany Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 75 Germany Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 76 Germany Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 77 Germany Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 78 Germany Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 79 France Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 80 France Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 81 France Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 82 France Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 83 France Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 84 France Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 85 United Kingdom Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 86 United Kingdom Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 87 United Kingdom Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 88 United Kingdom Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 89 United Kingdom Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 90 United Kingdom Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 91 Italy Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 92 Italy Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 93 Italy Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 94 Italy Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 95 Italy Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 96 Italy Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 97 Spain Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 98 Spain Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 99 Spain Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 100 Spain Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 101 Spain Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 102 Spain Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 103 Rest of Europe Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 104 Rest of Europe Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 105 Rest of Europe Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 106 Rest of Europe Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 107 Rest of Europe Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 108 Rest of Europe Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 109 Asia Pacific Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 110 Asia Pacific Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 111 Asia Pacific Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 112 Asia Pacific Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 113 Asia Pacific Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 114 Asia Pacific Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 115 China Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 116 China Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 117 China Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 118 China Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 119 China Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 120 China Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 121 Japan Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 122 Japan Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 123 Japan Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 124 Japan Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 125 Japan Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 126 Japan Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 127 India Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 128 India Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 129 India Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 130 India Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 131 India Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 132 India Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 133 South Korea Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 134 South Korea Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 135 South Korea Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 136 South Korea Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 137 South Korea Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 138 South Korea Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 139 South-East Asia Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 140 South-East Asia Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 141 South-East Asia Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 142 South-East Asia Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 143 South-East Asia Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 144 South-East Asia Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 145 Rest of Asia Pacific Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 146 Rest of Asia Pacific Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 147 Rest of Asia Pacific Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 148 Rest of Asia Pacific Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 149 Rest of Asia Pacific Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 150 Rest of Asia Pacific Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 151 Latin America Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 152 Latin America Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 153 Latin America Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 154 Latin America Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 155 Latin America Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 156 Latin America Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 157 Brazil Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 158 Brazil Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 159 Brazil Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 160 Brazil Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 161 Brazil Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 162 Brazil Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 163 Argentina Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 164 Argentina Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 165 Argentina Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 166 Argentina Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 167 Argentina Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 168 Argentina Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 169 Rest of Latin America Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 170 Rest of Latin America Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 171 Rest of Latin America Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 172 Rest of Latin America Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 173 Rest of Latin America Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 174 Rest of Latin America Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 175 Middle East and Africa Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 176 Middle East and Africa Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 177 Middle East and Africa Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 178 Middle East and Africa Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 179 Middle East and Africa Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 180 Middle East and Africa Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 181 GCC Countries Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 182 GCC Countries Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 183 GCC Countries Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 184 GCC Countries Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 185 GCC Countries Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 186 GCC Countries Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 187 South Africa Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 188 South Africa Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 189 South Africa Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 190 South Africa Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 191 South Africa Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 192 South Africa Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 193 Rest of Middle East and Africa Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 194 Rest of Middle East and Africa Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 195 Rest of Middle East and Africa Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 196 Rest of Middle East and Africa Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 197 Rest of Middle East and Africa Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 198 Rest of Middle East and Africa Stock Music Market, by End User, 2023-2030 (US$ Mn)

Music Streaming Subscription Services Market

Music streaming subscription services had a market value of $ 19.3 billion in 2020, and it is expected to reach $ 39.9 billion by 2027 with a CAGR of 10.9% over the forecast period.

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The report comes as a view-only PDF document, optimized for individual clients. This version is recommended for personal digital use and does not allow printing. Use restricted to one purchaser only.
$4999

To meet the needs of modern corporate teams, our report comes in two formats: a printable PDF and a data-rich Excel sheet. This package is optimized for internal analysis. Unlimited users allowed within one corporate location (e.g., regional office).
$6999

The report will be delivered in printable PDF format along with the report’s data Excel sheet. This license offers 100 Free Analyst hours where the client can utilize Credence Research Inc. research team. Permitted for unlimited global use by all users within the purchasing corporation, such as all employees of a single company.
$12999

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What people say?

User Review

Thank you for the data! The numbers are exactly what we asked for and what we need to build our business case.

Materials Scientist
(privacy requested)

User Review

The report was an excellent overview of the Industrial Burners market. This report does a great job of breaking everything down into manageable chunks.

Imre Hof
Management Assistant, Bekaert

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