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Music Industry Business Software Market By Component (Software, Services); By Deployment Mode (On-Premises, Cloud); By Application (Music Production, Music Distribution, Music Publishing, Artist Management, Others); By Enterprise Size (Small and Medium Enterprises, Large Enterprises); By End-User (Record Labels, Independent Artists, Music Publishers, Others) – Growth, Share, Opportunities & Competitive Analysis, 2024 – 2032

Report ID: 94254 | Report Format : Excel, PDF

REPORT ATTRIBUTE DETAILS
Historical Period 2020-2023
Base Year 2024
Forecast Period 2025-2032
Music Industry Business Software Market Size 2024 USD 1,253.25 million
Music Industry Business Software Market , CAGR 11.4%
Music Industry Business Software Market Size 2032 USD 22,340.6 million

Market Overview:

The Music Industry Business Software market is projected to grow from USD 1,253.25 million in 2024 to USD 2,972.4 million by 2032, at a compound annual growth rate (CAGR) of 11.4%.

The Music Industry Business Software market is driven by the increasing digitalization of music distribution and the rising demand for advanced rights management solutions. As artists, producers, and labels seek more efficient ways to manage royalties, licensing, and copyright tracking, software platforms are becoming essential for streamlining operations and ensuring transparency. The growing popularity of streaming services and direct-to-fan platforms is also fueling the need for integrated business tools that offer real-time analytics and revenue tracking. Moreover, cloud-based deployment and mobile accessibility are enhancing user experience and enabling remote collaboration across the global music ecosystem. Artificial intelligence and machine learning are being increasingly integrated to optimize content recommendations, audience targeting, and trend forecasting. Additionally, independent musicians and smaller labels are adopting business software solutions to compete more effectively in a competitive market. These evolving needs and innovations are collectively shaping the trajectory of the Music Industry Business Software market, making it a critical enabler of modern music commerce.

The Music Industry Business Software market shows diverse growth across different regions, with North America leading at 37% market share in 2024, driven by a highly digitalized music ecosystem and major tech players. Europe follows with 25%, supported by strong music rights enforcement and digital transformation. Asia Pacific, accounting for 21%, is seeing rapid adoption fueled by rising digital consumption, particularly in countries like China and India. Latin America and the Middle East & Africa hold shares of 10% and 7%, respectively, with growing digital infrastructure and increasing music streaming adoption. Key players such as Spotify, Apple Inc., Google LLC, Amazon.com, Inc., SoundCloud Ltd., Pandora Media, Inc., Tidal, Deezer, iHeartMedia, Inc., Napster, TuneIn, Bandcamp, and JioSaavn are active across these regions, shaping the market with tailored solutions and localized offerings.

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Market Insights:

  • The Music Industry Business Software market is projected to grow from USD 1,253.25 million in 2024 to USD 2,972.4 million by 2032, at a CAGR of 11.4%.
  • Increasing digitalization in music distribution and the rising need for advanced rights management solutions are key market drivers.
  • Streaming platforms and direct-to-fan services are fueling the demand for integrated business tools for real-time analytics and revenue tracking.
  • Cloud-based deployment and mobile accessibility are enhancing user experiences and enabling remote collaboration.
  • Artificial intelligence and machine learning are being integrated into business software for content recommendations and audience targeting.
  • Independent artists and smaller labels are adopting business software to streamline operations and compete with larger players.
  • Geographically, North America leads with 37% market share, followed by Europe at 25%, and Asia Pacific at 21%, with significant growth in Latin America and the Middle East & Africa.

Market Drivers:

Increasing Demand for Digital Rights Management Solutions:

The rising complexity of music rights and licensing has created a strong need for effective digital rights management (DRM) solutions. Music Industry Business Software helps artists, record labels, and publishers track usage, manage intellectual property rights, and streamline royalty distribution. For instance, Spotify and Apple Music embed DRM directly into their streaming platforms to control who can listen to and download songs, effectively preventing unauthorized sharing and protecting the financial interests of rights holders. As the global consumption of music continues to grow across various digital platforms, stakeholders are investing in robust software tools that ensure transparency and compliance with licensing agreements.

Rapid Growth of Streaming Platforms:

The expansion of music streaming platforms such as Spotify, Apple Music, and YouTube Music has significantly altered the landscape of music consumption. This shift from physical and download-based formats to streaming has increased the demand for software that can manage complex revenue streams and real-time data analytics. Music Industry Business Software offers tools for performance tracking, audience engagement analysis, and subscription revenue management, enabling industry players to make informed business decisions and optimize their market strategies.

Emergence of Independent Artists and Labels:

There is a noticeable rise in the number of independent artists and small record labels entering the music market. These emerging players are adopting business software solutions to gain access to professional-grade tools that were once only available to major industry players. For instance, Product Champ is an all-in-one business management platform that allows independent artists to track sales data, manage fan clubs, automate social media, and collect payments, enabling them to run their music careers like a business without the need for traditional label support. With features such as automated accounting, promotional planning, and distribution management, these platforms empower independent artists to manage their careers more efficiently and maximize their reach and revenue potential without relying on traditional label infrastructure.

Adoption of Cloud-Based and AI-Driven Technologies:

Technological advancements are playing a pivotal role in driving the Music Industry Business Software market forward. Cloud-based solutions provide scalability, flexibility, and cost efficiency, making them ideal for businesses of all sizes. Additionally, the integration of artificial intelligence and machine learning enables predictive analytics, personalized content recommendations, and audience behavior modeling, helping industry professionals optimize content delivery and marketing efforts in a dynamic digital environment.

 Market Trends:

Integration of Artificial Intelligence and Machine Learning:

A significant trend shaping the Music Industry Business Software market is the growing integration of artificial intelligence (AI) and machine learning technologies. These tools are enabling more accurate forecasting of market trends, personalized user experiences, and smarter music recommendations. By analyzing listener behavior, AI-powered platforms help music professionals tailor their content strategies and optimize distribution. Machine learning is also being applied in royalty tracking and fraud detection, offering enhanced transparency and efficiency in financial operations.

Adoption of Cloud-Based Solutions:

Cloud-based platforms continue to gain traction due to their flexibility, scalability, and cost-effectiveness. These solutions allow music businesses to manage operations remotely, collaborate in real-time, and access data from any location. For instance, Spotify and Apple Music together accounted for around 80% of U.S. music streaming subscriptions in late 2023, with Spotify serving approximately 50 million and Apple Music about 88 million U.S. subscribers, highlighting widespread adoption of cloud-hosted music services. The rise of remote work and digital-first workflows in the music industry has accelerated the adoption of cloud technology. Music Industry Business Software hosted on cloud infrastructure supports seamless integration with other platforms, ensuring smoother workflows and improved accessibility for both large enterprises and independent artists.

Increased Focus on Data Analytics and Business Intelligence:

As competition in the music market intensifies, data-driven decision-making is becoming a priority. Music Industry Business Software now features robust data analytics capabilities that allow users to monitor performance metrics, audience engagement, and revenue streams in real time. These insights empower artists, labels, and distributors to refine marketing strategies, identify emerging markets, and enhance overall business performance. The focus on business intelligence is transforming how music professionals operate in a fast-evolving digital landscape.

Expansion of DIY and Independent Music Platforms:

The rise of independent artists and do-it-yourself (DIY) music platforms has led to increased demand for accessible and user-friendly business software. These platforms are designed to cater to non-traditional users, offering intuitive interfaces and automated tools for distribution, promotion, and revenue management. For instance, Spotify for Artists offers a dashboard that provides real-time listener data, track performance metrics, and tools for artists to pitch their music to editorial playlists. In 2021 alone, Spotify paid out over $7 billion to artists, and more than 1,000 artists earned at least $1 million each through the platform. This democratization of music business tools is reshaping industry dynamics and enabling a more diverse range of artists to succeed independently.

Market Challenges Analysis:

Data Fragmentation and Integration Difficulties:

The Music Industry Business Software market faces a significant challenge in managing data fragmentation and achieving seamless integration across platforms. In today’s digital music landscape, data is generated from numerous sources including streaming platforms, social media, digital stores, and direct-to-fan websites. Each source produces data in different formats and structures, making it difficult to centralize, analyze, and utilize effectively. This lack of interoperability hinders the ability to track revenue streams accurately, assess marketing performance, or generate meaningful insights. For instance, The Music Bed (TMB), a leading stock music licensing platform, encountered significant hurdles in integrating complex payment structures and licensing types across their web and mobile platforms. Music professionals often resort to manual data consolidation, which is time-consuming, error-prone, and inefficient. Additionally, integrating disparate software solutions—such as accounting tools, rights management systems, and distribution platforms—requires significant technical resources and often leads to compatibility issues. These challenges can result in lost revenue opportunities, delayed decision-making, and operational inefficiencies. To address this, the market needs standardized protocols and more integrated platforms that facilitate smooth data exchange and end-to-end workflow management.

High Cost of Implementation and User Adaptation:

The high cost and complexity of adopting Music Industry Business Software remain major barriers, especially for independent artists, small labels, and startups. Many advanced solutions come with substantial upfront expenses, recurring subscription fees, and hidden costs for customization and maintenance. For organizations operating with limited financial resources, investing in such platforms may divert funds from other essential areas like production, marketing, or talent development. Beyond financial concerns, the steep learning curve associated with these tools can hinder user adoption. Many artists and small business owners lack the technical skills or training required to utilize the software effectively, which reduces its overall value. Resistance to change and the need for ongoing support further complicate implementation. Without intuitive user interfaces and responsive customer service, users may abandon the software or fail to use its full capabilities. To broaden accessibility, developers must prioritize affordability, ease of use, and scalable features tailored to diverse user needs.

Market Opportunities:

The Music Industry Business Software market holds significant opportunities driven by the evolving needs of a digitized and globalized music ecosystem. As streaming continues to dominate music consumption, there is a growing demand for platforms that provide real-time insights, automated royalty distribution, and personalized marketing strategies. Emerging markets in Asia, Latin America, and Africa present untapped potential, as increased internet penetration and smartphone usage expand access to digital music. Software providers that localize their offerings, support regional payment methods, and comply with diverse regulatory environments can establish a strong foothold in these regions. Moreover, partnerships with local distributors, artists, and content creators can enhance market penetration and create sustainable revenue models tailored to regional dynamics.

Another promising opportunity lies in developing AI-powered solutions that address specific pain points in music production, licensing, and audience engagement. Tools that offer predictive analytics, automated content tagging, and sentiment analysis can significantly enhance operational efficiency and strategic planning for industry stakeholders. The continued rise of independent artists and DIY content creators also presents a growing user base seeking affordable, easy-to-use software that simplifies complex business processes. Additionally, integration with blockchain technology for transparent royalty tracking and smart contracts offers a new frontier for innovation in rights management and payments. As the industry shifts toward decentralization and greater artist autonomy, platforms that empower creators with data-driven decision-making and financial control will stand out. Software companies that anticipate these trends and invest in user-centric, scalable, and interoperable solutions are well-positioned to capture long-term growth and shape the future of music business operations.

Market Segmentation Analysis:

By Component

The Music Industry Business Software market is segmented into software and services. Software holds the larger share, driven by demand for integrated platforms managing rights, royalties, and distribution. Services, including consulting and support, are gaining traction as businesses seek expert guidance for implementation, customization, and system optimization across music operations.

By Deployment Mode

Deployment mode includes on-premises and cloud-based solutions. Cloud deployment dominates the market due to its scalability, remote accessibility, and lower upfront costs. It enables real-time collaboration and streamlined updates, appealing to both large enterprises and independent artists. On-premises solutions remain relevant for organizations prioritizing data control and infrastructure autonomy.

By Application

Applications span music production, distribution, publishing, artist management, and others. Music production and distribution lead the segment, driven by the rise of digital content creation and streaming. Artist management and publishing software are increasingly adopted for royalty tracking, licensing, and career development, supporting comprehensive and efficient industry workflows.

Segments:

Based on Component

  • Software
  • Services

Based on Deployment Mode

  • On-Premises
  • Cloud

Based on Application

  • Music Production
  • Music Distribution
  • Music Publishing
  • Artist Management
  • Others

Based on Enterprise Size

  • Small and Medium Enterprises
  • Large Enterprises

Based on End-User

  • Record Labels
  • Independent Artists
  • Music Publishers
  • Others

Based on the Geography:

  • North America
    • U.S.
    • Canada
    • Mexico
  • Europe
    • Germany
    • France
    • U.K.
    • Italy
    • Spain
    • Rest of Europe
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • South-east Asia
    • Rest of Asia Pacific
  • Latin America
    • Brazil
    • Argentina
    • Rest of Latin America
  • Middle East & Africa
    • GCC Countries
    • South Africa
    • Rest of the Middle East and Africa

Regional Analysis:

North America

North America holds the largest share of the Music Industry Business Software market, accounting for 37% of the global market in 2024. The region benefits from the strong presence of major music labels, technology providers, and a highly digitized music ecosystem. High adoption of advanced technologies such as AI, cloud computing, and data analytics in music operations contributes to market growth. The United States, in particular, leads the region due to a high concentration of streaming platforms, music publishers, and innovative software companies. The growing demand for automated rights management and advanced audience analytics continues to drive software adoption across various segments of the industry.

Europe

Europe represents 25% of the global Music Industry Business Software market in 2024. The region’s well-established music sector and strong focus on copyright enforcement support the demand for efficient business solutions. Countries like the United Kingdom, Germany, and France are leading adopters, with increased investments in digital infrastructure and music licensing platforms. European music businesses are also leveraging software to navigate complex regulatory frameworks and multi-country royalty distributions. The rise of independent music scenes and government support for digital innovation further enhance market growth in this region.

Asia Pacific

Asia Pacific captures 21% of the global market in 2024, driven by rapid digital transformation, growing internet penetration, and the expansion of the music industry in countries like China, India, South Korea, and Japan. The region is witnessing a surge in independent music creators and digital content consumption, particularly through mobile platforms. Software vendors are responding by offering localized and scalable solutions that meet diverse regional needs. As streaming becomes mainstream across Asia, demand for analytics, royalty tracking, and cloud-based music business tools continues to rise.

Latin America and Middle East & Africa

Latin America holds 10% of the market share in 2024, while the Middle East & Africa account for the remaining 7%. Both regions are experiencing increased adoption of streaming services and digital music platforms. In Latin America, Brazil and Mexico are the key markets, supported by a young, mobile-first audience. In the Middle East & Africa, rising digital infrastructure and international music collaborations are creating opportunities for software adoption. Although market maturity is lower compared to other regions, strong growth potential exists as local music industries increasingly digitize their operations and adopt modern business tools.

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Key Player Analysis:

  • Deezer
  • Bandcamp
  • Pandora Media, Inc.
  • SoundCloud Ltd.
  • Tidal
  • TuneIn
  • com, Inc.
  • Spotify
  • JioSaavn
  • iHeartMedia, Inc.
  • Apple Inc.
  • Google LLC
  • Napster

Competitive Analysis:

The Music Industry Business Software market is highly competitive, with several prominent players shaping its landscape. Spotify, Apple Inc., Google LLC, Amazon.com, Inc., SoundCloud Ltd., Pandora Media, Inc., Tidal, Deezer, iHeartMedia, Inc., Napster, TuneIn, Bandcamp, and JioSaavn are leading the charge with distinct offerings. Spotify leads with its personalized playlists and analytics, while Apple and Google leverage their integrated ecosystems to enhance user experiences. Amazon.com Inc. focuses on integrating music streaming with its broader services, including Alexa. SoundCloud and Bandcamp are more artist-centric, providing tools for independent creators. Tidal distinguishes itself with high-quality audio and artist control, while Deezer and Pandora offer unique features such as curated playlists and radio stations. iHeartMedia and TuneIn combine traditional broadcasting with digital streaming, focusing on broad content diversity. JioSaavn’s stronghold in India demonstrates the growing importance of regional platforms. These players are continuously innovating in cloud-based solutions, AI, and analytics to maintain a competitive edge.

Recent Developments:

  • On April 16, 2025, Deezer launched an algorithm customization feature, allowing users unprecedented control over their music discovery experience by letting them directly tweak recommendation algorithms.
  • On September 30, 2024, Bandcamp partnered with Roland to provide its artists free access to Roland’s virtual instruments, sound collections, and exclusive events, enhancing creative tools for over 5 million artists on the platform.
  • In April 2025, SoundCloud introduced a new Dark Mode for web, enhanced mobile creator tools, and released its inaugural Music Intelligence Report, offering insights into music trends and the future of sound.
  • On April 10, 2024, Tidal merged its two subscription plans into a single offering with high-resolution FLAC audio, streamlining its pricing and service structure.

Market Concentration & Characteristics:

The Music Industry Business Software market is characterized by moderate concentration, with a few dominant players holding significant market shares, while numerous smaller players cater to niche segments. Major players like Spotify, Apple, and Amazon lead the market, offering comprehensive solutions that integrate streaming, analytics, and rights management. These industry giants shape trends and drive innovations, particularly in cloud-based platforms and AI-driven tools. However, the market is also increasingly accessible to independent developers and smaller software providers, who are introducing specialized solutions for independent artists and labels. The rise of these smaller players fosters innovation and competition, especially in areas such as revenue tracking, royalty distribution, and audience engagement. The increasing adoption of software by independent creators and smaller entities is expanding the market, while cloud deployment and scalable solutions contribute to a dynamic, evolving competitive landscape.

Report Coverage:

The research report offers an in-depth analysis based on Component, Deployment Mode, Application, Enterprise Size, End-User and Geography. It details leading market players, providing an overview of their business, product offerings, investments, revenue streams, and key applications. Additionally, the report includes insights into the competitive environment, SWOT analysis, current market trends, as well as the primary drivers and constraints. Furthermore, it discusses various factors that have driven market expansion in recent years. The report also explores market dynamics, regulatory scenarios, and technological advancements that are shaping the industry. It assesses the impact of external factors and global economic changes on market growth. Lastly, it provides strategic recommendations for new entrants and established companies to navigate the complexities of the market.

Future Outlook:

  1. The demand for integrated solutions that combine rights management, analytics, and revenue tracking will continue to rise.
  2. Cloud-based platforms will dominate, offering scalability and remote collaboration capabilities for global users.
  3. AI and machine learning will play a crucial role in optimizing content recommendations and predicting consumer behavior.
  4. Independent artists and small labels will increasingly adopt business software to manage royalties, distribution, and marketing.
  5. Enhanced mobile accessibility will allow users to manage their music businesses on-the-go.
  6. Data-driven insights and real-time analytics will become central to business decision-making in the music industry.
  7. Growing demand for automated copyright enforcement and transparent royalty distribution will drive software innovations.
  8. The expansion of music streaming platforms and digital content consumption will lead to increased need for advanced business tools.
  9. Smaller players and startups will introduce specialized solutions, contributing to innovation and competition in the market.
  10. Regional markets, particularly in Asia Pacific and Latin America, will see rapid adoption of business software due to digital transformation.

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Frequently Asked Questions

What is the current size of the Music Industry Business Software market?

The Music Industry Business Software market is projected to grow from USD 1,253.25 million in 2024 to USD 2,972.4 million by 2032.

What factors are driving the growth of the Music Industry Business Software market?

The growth is driven by increasing digitalization in music distribution, the rising demand for advanced rights management solutions, and the growing popularity of streaming platforms and direct-to-fan services.

What are some challenges faced by the Music Industry Business Software market?

Challenges include data fragmentation and integration difficulties, high costs of implementation, and the steep learning curve that hinders user adoption, particularly for independent artists and small labels.

Who are the major players in the Music Industry Business Software market?

Major players include Deezer, Bandcamp, Pandora Media, Inc., SoundCloud Ltd., Tidal, TuneIn, and Amazon.com, Inc.

About Author

Sushant Phapale

Sushant Phapale

ICT & Automation Expert

Sushant is an expert in ICT, automation, and electronics with a passion for innovation and market trends.

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Stock Music Market

The global stock music market is anticipated to grow at a substantial CAGR of 11.30% in the upcoming years1. Preface
1.1. Report Description
1.1.1. Purpose of the Report
1.1.2. Target Audience
1.1.3. USP and Key Offerings
1.2. Research Scope
1.3. Research Methodology
1.3.1. Phase I – Secondary Research
1.3.2. Phase II – Data Modelling
1.3.2.1. Company Share Analysis Model
1.3.2.2. Revenue Based Modelling
1.3.3. Phase III – Primary Research
1.3.4. Research Limitations
1.3.5. Assumptions
1.4. Market Introduction
1.5. Market Research Scope
2. Executive Summary
2.1. Market Snapshot: Global Stock Music Market
2.2. Global Stock Music Market, By Type
2.3. Global Stock Music Market, By Application
2.4. Global Stock Music Market, By End User
2.5. Global Stock Music Market, By Region
3. Market Dynamics & Factors Analysis
3.1. Introduction
3.1.1. Global Stock Music Market Value, 2017-2030, (US$ Mn)
3.1.2. Y-o-Y Growth Trend Analysis
3.2. Market Dynamics
3.2.1. Market Drivers
3.2.1.1. Driver 1
3.2.1.2. Driver 2
3.2.1.3. Driver 3
3.2.2. Market Restraints
3.2.2.1. Restraint 1
3.2.2.2. Restraint 2
3.2.3. Market Opportunities
3.2.3.1. Opportunity 1
3.2.3.2. Opportunity 2
3.2.4. Major Industry Challenges
3.2.4.1. Challenge 1
3.2.4.2. Challenge 2
3.3. Growth and Development Patterns
3.4. Investment Feasibility Analysis
3.5. Market Opportunity Analysis
3.5.1. Type
3.5.2. Application
3.5.3. End User
3.5.4. Geography
4. Premium Insights
4.1. STAR (Situation, Task, Action, Results) Analysis
4.2. Porter’s Five Forces Analysis
4.2.1. Threat of New Entrants
4.2.2. Bargaining Power of Buyers/Consumers
4.2.3. Bargaining Power of Suppliers
4.2.4. Threat of Substitute Types
4.2.5. Intensity of Competitive Rivalry
4.3. Key Market Trends
4.3.1. Demand Side Trends
4.3.2. Supply Side Trends
4.4. Value Chain Analysis
4.5. Type Analysis
4.6. Analysis and Recommendations
4.7. Marketing Strategy Analysis
4.7.1. Direct Marketing
4.7.2. Indirect Marketing
4.7.3. Marketing Channel Development Trend
5. Market Positioning of Key Players, 2022
5.1. Company market share of key players, 2022
5.2. Competitive Benchmarking
5.3. Market Positioning of Key Vendors
5.4. Geographical Presence Analysis
5.5. Major Strategies Adopted by Key Players
5.5.1. Key Strategies Analysis
5.5.2. Mergers and Acquisitions
5.5.3. Partnerships
5.5.4. Product Launch
5.5.5. Geographical Expansion
5.5.6. Others
6. Economic Impact Analysis
6.1. Recession Impact
6.1.1. North America
6.1.2. Europe
6.1.3. Asia Pacific
6.1.4. Latin America
6.1.5. Middle East and Africa
6.2. Ukraine-Russia War Impact
6.2.1. North America
6.2.2. Europe
6.2.3. Asia Pacific
6.2.4. Latin America
6.2.5. Middle East and Africa
6.3. COVID-19 Impact Analysis
6.3.1. North America
6.3.2. Europe
6.3.3. Asia Pacific
6.3.4. Latin America
6.3.5. Middle East and Africa
7. Global Stock Music Market, By Type
7.1. Global Stock Music Market Overview by Type
7.1.1. Global Stock Music Market Revenue Share, By Type, 2022 Vs 2030 (in %)
7.2. Royalty-free Stock Music
7.2.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
7.3. Licensed Stock Music
7.3.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8. Global Stock Music Market, By Application
8.1. Global Stock Music Market Overview, by Application
8.1.1. Global Stock Music Market, By Application, 2022 vs 2030 (in %)
8.2. Film Soundtracks
8.2.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.3. Advertising
8.3.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.4. Online Content
8.4.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.5. Gaming
8.5.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.6. Television and Radio Broadcasts
8.6.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.7. Corporate and Educational Presentations
8.7.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
8.8. Others
8.8.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
9. Global Stock Music Market, by End User, 2017-2030 (US$ Mn)
9.1. Global Stock Music Market Overview, by End User
9.1.1. Global Stock Music Market, By End User, 2022 vs 2030 (in%)
9.2. Large Enterprises
9.2.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
9.3. SMEs
9.3.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
9.4. Individual Content Creators
9.4.1. Global Stock Music Market, By Region, 2017-2030 (US$ Mn)
10. Global Stock Music Market, By Region
10.1. Global Stock Music Market Overview, by Region
10.1.1. Global Stock Music Market, By Region, 2022 vs 2030 (in%)
10.2. Type
10.2.1. Global Stock Music Market, By Type, 2017-2030 (US$ Mn)
10.3. Application
10.3.1. Global Stock Music Market, By Application, 2017-2030 (US$ Mn)
10.4. End User
10.4.1. Global Stock Music Market, By End User, 2017-2030 (US$ Mn)
11. North America Stock Music Market Analysis
11.1. North America Stock Music Market, by Type, 2017-2030(US$ Mn)
11.1.1. Overview
11.1.2. SRC Analysis
11.2. North America Stock Music Market, by Application, 2017-2030(US$ Mn)
11.2.1. Overview
11.2.2. SRC Analysis
11.3. North America Stock Music Market, by End User, 2017-2030(US$ Mn)
11.3.1. Overview
11.3.2. SRC Analysis
11.4. North America Stock Music Market, by Country, 2017-2030 (US$ Mn)
11.4.1. North America Stock Music Market, by Country, 2022 Vs 2030 (in%)
11.4.2. U.S.
11.4.2.1. U.S. Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
11.4.2.2. U.S. Stock Music, By Type, 2017-2030 (US$ Mn)
11.4.2.3. U.S. Stock Music, By Application, 2017-2030 (US$ Mn)
11.4.2.4. U.S. Stock Music, By End User, 2017-2030 (US$ Mn)
11.4.3. Canada
11.4.3.1. Canada Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
11.4.3.2. Canada Stock Music, By Type, 2017-2030 (US$ Mn)
11.4.3.3. Canada Stock Music, By Application, 2017-2030 (US$ Mn)
11.4.3.4. Canada Stock Music, By End User, 2017-2030 (US$ Mn)
11.4.4. Mexico
11.4.4.1. Mexico Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
11.4.4.2. Mexico Stock Music, By Type, 2017-2030 (US$ Mn)
11.4.4.3. Mexico Stock Music, By Application, 2017-2030 (US$ Mn)
11.4.4.4. Mexico Stock Music, By End User, 2017-2030 (US$ Mn)
12. Europe Stock Music Market Analysis
12.1. Europe Stock Music Market, by Type, 2017-2030(US$ Mn)
12.1.1. Overview
12.1.2. SRC Analysis
12.2. Europe Stock Music Market, by Application, 2017-2030(US$ Mn)
12.2.1. Overview
12.2.2. SRC Analysis
12.3. Europe Stock Music Market, by End User, 2017-2030(US$ Mn)
12.3.1. Overview
12.3.2. SRC Analysis
12.4. Europe Stock Music Market, by Country, 2017-2030 (US$ Mn)
12.4.1. Europe Stock Music Market, by Country, 2022 Vs 2030 (in%)
12.4.2. Germany
12.4.2.1. Germany Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.2.2. Germany Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.2.3. Germany Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.2.4. Germany Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.3. France
12.4.3.1. France Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.3.2. France Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.3.3. France Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.3.4. France Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.4. UK
12.4.4.1. UK Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.4.2. UK Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.4.3. UK Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.4.4. UK Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.5. Italy
12.4.5.1. Italy Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.5.2. Italy Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.5.3. Italy Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.5.4. Italy Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.6. Spain
12.4.6.1. Spain Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.6.2. Spain Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.6.3. Spain Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.6.4. Spain Stock Music, By End User, 2017-2030 (US$ Mn)
12.4.7. Rest of Europe
12.4.7.1. Rest of Europe Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
12.4.7.2. Rest of Europe Stock Music, By Type, 2017-2030 (US$ Mn)
12.4.7.3. Rest of Europe Stock Music, By Application, 2017-2030 (US$ Mn)
12.4.7.4. Rest of Europe Stock Music, By End User, 2017-2030 (US$ Mn)
13. Asia Pacific Stock Music Market Analysis
13.1. Asia Pacific Stock Music Market, by Type, 2017-2030(US$ Mn)
13.1.1. Overview
13.1.2. SRC Analysis
13.2. Asia Pacific Stock Music Market, by Application, 2017-2030(US$ Mn)
13.2.1. Overview
13.2.2. SRC Analysis
13.3. Asia Pacific Stock Music Market, by End User, 2017-2030(US$ Mn)
13.3.1. Overview
13.3.2. SRC Analysis
13.4. Asia Pacific Stock Music Market, by Country, 2017-2030 (US$ Mn)
13.4.1. Asia Pacific Stock Music Market, by Country, 2022 Vs 2030 (in%)
13.4.2. China
13.4.2.1. China Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.2.2. China Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.2.3. China Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.2.4. China Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.3. Japan
13.4.3.1. Japan Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.3.2. Japan Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.3.3. Japan Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.3.4. Japan Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.4. India
13.4.4.1. India Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.4.2. India Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.4.3. India Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.4.4. India Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.5. South Korea
13.4.5.1. South Korea Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.5.2. South Korea Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.5.3. South Korea Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.5.4. South Korea Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.6. South-East Asia
13.4.6.1. South-East Asia Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.6.2. South-East Asia Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.6.3. South-East Asia Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.6.4. South-East Asia Stock Music, By End User, 2017-2030 (US$ Mn)
13.4.7. Rest of Asia Pacific
13.4.7.1. Rest of Asia Pacific Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
13.4.7.2. Rest of Asia Pacific Stock Music, By Type, 2017-2030 (US$ Mn)
13.4.7.3. Rest of Asia Pacific Stock Music, By Application, 2017-2030 (US$ Mn)
13.4.7.4. Rest of Asia Pacific Stock Music, By End User, 2017-2030 (US$ Mn)
14. Latin America Stock Music Market Analysis
14.1. Latin America Stock Music Market, by Type, 2017-2030(US$ Mn)
14.1.1. Overview
14.1.2. SRC Analysis
14.2. Latin America Stock Music Market, by Application, 2017-2030(US$ Mn)
14.2.1. Overview
14.2.2. SRC Analysis
14.3. Latin America Stock Music Market, by End User, 2017-2030(US$ Mn)
14.3.1. Overview
14.3.2. SRC Analysis
14.4. Latin America Stock Music Market, by Country, 2017-2030 (US$ Mn)
14.4.1. Latin America Stock Music Market, by Country, 2022 Vs 2030 (in%)
14.4.2. Brazil
14.4.2.1. Brazil Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
14.4.2.2. Brazil Stock Music, By Type, 2017-2030 (US$ Mn)
14.4.2.3. Brazil Stock Music, By Application, 2017-2030 (US$ Mn)
14.4.2.4. Brazil Stock Music, By End User, 2017-2030 (US$ Mn)
14.4.3. Argentina
14.4.3.1. Argentina Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
14.4.3.2. Argentina Stock Music, By Type, 2017-2030 (US$ Mn)
14.4.3.3. Argentina Stock Music, By Application, 2017-2030 (US$ Mn)
14.4.3.4. Argentina Stock Music, By End User, 2017-2030 (US$ Mn)
14.4.4. Rest of Latin America
14.4.4.1. Rest of Latin America Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
14.4.4.2. Rest of Latin America Stock Music, By Type, 2017-2030 (US$ Mn)
14.4.4.3. Rest of Latin America Stock Music, By Application, 2017-2030 (US$ Mn)
14.4.4.4. Rest of Latin America Stock Music, By End User, 2017-2030 (US$ Mn)
15. Middle East and Africa Stock Music Market Analysis
15.1. Middle East and Africa Stock Music Market, by Type, 2017-2030(US$ Mn)
15.1.1. Overview
15.1.2. SRC Analysis
15.2. Middle East and Africa Stock Music Market, by Application, 2017-2030(US$ Mn)
15.2.1. Overview
15.2.2. SRC Analysis
15.3. Middle East and Africa Stock Music Market, by End User, 2017-2030(US$ Mn)
15.3.1. Overview
15.3.2. SRC Analysis
15.4. Middle East and Africa Stock Music Market, by Country, 2017-2030 (US$ Mn)
15.4.1. Middle East and Africa Stock Music Market, by Country, 2022 Vs 2030 (in%)
15.4.2. GCC Countries
15.4.2.1. GCC Countries Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
15.4.2.2. GCC Countries Stock Music, By Type, 2017-2030 (US$ Mn)
15.4.2.3. GCC Countries Stock Music, By Application, 2017-2030 (US$ Mn)
15.4.2.4. GCC Countries Stock Music, By End User, 2017-2030 (US$ Mn)
15.4.3. South Africa
15.4.3.1. South Africa Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
15.4.3.2. South Africa Stock Music, By Type, 2017-2030 (US$ Mn)
15.4.3.3. South Africa Stock Music, By Application, 2017-2030 (US$ Mn)
15.4.3.4. South Africa Stock Music, By End User, 2017-2030 (US$ Mn)
15.4.4. Rest of Middle East and Africa
15.4.4.1. Rest of Middle East and Africa Stock Music Market Estimates and Forecast, 2017-2030 (US$ Mn)
15.4.4.2. Rest of Middle East and Africa Stock Music, By Type, 2017-2030 (US$ Mn)
15.4.4.3. Rest of Middle East and Africa Stock Music, By Application, 2017-2030 (US$ Mn)
15.4.4.4. Rest of Middle East and Africa Stock Music, By End User, 2017-2030 (US$ Mn)
16. Company Profiles
16.1. Audio Network Limited
16.1.1. Company Overview
16.1.2. Products/Services Portfolio
16.1.3. Geographical Presence
16.1.4. Financial Summary
16.1.4.1. Market Revenue and Net Profit (2019-2022)
16.1.4.2. Business Segment Revenue Analysis
16.1.4.3. Geographical Revenue Analysis
16.2. Envato Elements Pty Ltd.
16.3. Epidemic Sound
16.4. Pond5 Inc.
16.5. Shutterstock, Inc.
16.6. SoundCloud Ltd.
16.7. Inmagine Lab Pte Ltd
16.8. The Music Bed LLC
16.9. Music Vine Limited
16.10. Storyblocks.com
16.11. Soundsnap
16.12. Soundstripe Inc.
16.13. Bensound
16.14. Jamendo
16.15. ProductionHUB, Inc
 
List of Figures
FIG. 1 Global Stock Music Market: Research Methodology
FIG. 2 Market Size Estimation – Top Down & Bottom up Approach
FIG. 3 Global Stock Music Market Segmentation
FIG. 4 Global Stock Music Market, by Type, 2022 (US$ Mn)
FIG. 5 Global Stock Music Market, by Application, 2022 (US$ Mn)
FIG. 6 Global Stock Music Market, by End User, 2022 (US$ Mn)
FIG. 7 Global Stock Music Market, by Geography, 2022 (US$ Mn)
FIG. 8 Attractive Investment Proposition, by Type, 2022
FIG. 9 Attractive Investment Proposition, by Application, 2022
FIG. 10 Attractive Investment Proposition, by End User, 2022
FIG. 11 Attractive Investment Proposition, by Geography, 2022
FIG. 12 Global Market Share Analysis of Key Stock Music Market Manufacturers, 2022
FIG. 13 Global Market Positioning of Key Stock Music Market Manufacturers, 2022
FIG. 14 Global Stock Music Market Value Contribution, By Type, 2022 & 2030 (Value %)
FIG. 15 Global Stock Music Market, by Royalty-free Stock Music, Value, 2017-2030 (US$ Mn)
FIG. 16 Global Stock Music Market, by Licensed Stock Music, Value, 2017-2030 (US$ Mn)
FIG. 17 Global Stock Music Market Value Contribution, By Application, 2022 & 2030 (Value %)
FIG. 18 Global Stock Music Market, by Film Soundtracks, Value, 2017-2030 (US$ Mn)
FIG. 19 Global Stock Music Market, by Advertising, 2017-2030 (US$ Mn)
FIG. 20 Global Stock Music Market, by Online Content, 2017-2030 (US$ Mn)
FIG. 21 Global Stock Music Market, by Gaming, 2017-2030 (US$ Mn)
FIG. 22 Global Stock Music Market, by Television and Radio Broadcasts, 2017-2030 (US$ Mn)
FIG. 23 Global Stock Music Market, by Corporate and Educational Presentations, 2017-2030 (US$ Mn)
FIG. 24 Global Stock Music Market, by Others, 2017-2030 (US$ Mn)
FIG. 25 Global Stock Music Market Value Contribution, By End User, 2022 & 2030 (Value %)
FIG. 26 Global Stock Music Market, by Large Enterprises, Value, 2017-2030 (US$ Mn)
FIG. 27 Global Stock Music Market, by SMEs, 2017-2030 (US$ Mn)
FIG. 28 Global Stock Music Market, by Individual Content Creators, 2017-2030 (US$ Mn)
FIG. 29 North America Stock Music Market, 2017-2030 (US$ Mn)
FIG. 30 U.S. Stock Music Market, 2017-2030 (US$ Mn)
FIG. 31 Canada Stock Music Market, 2017-2030 (US$ Mn)
FIG. 32 Europe Stock Music Market, 2017-2030 (US$ Mn)
FIG. 33 Germany Stock Music Market, 2017-2030 (US$ Mn)
FIG. 34 France Stock Music Market, 2017-2030 (US$ Mn)
FIG. 35 U.K. Stock Music Market, 2017-2030 (US$ Mn)
FIG. 36 Italy Stock Music Market, 2017-2030 (US$ Mn)
FIG. 37 Spain Stock Music Market, 2017-2030 (US$ Mn)
FIG. 38 Rest of Europe Stock Music Market, 2017-2030 (US$ Mn)
FIG. 39 Asia Pacific Stock Music Market, 2017-2030 (US$ Mn)
FIG. 40 China Stock Music Market, 2017-2030 (US$ Mn)
FIG. 41 Japan Stock Music Market, 2017-2030 (US$ Mn)
FIG. 42 India Stock Music Market, 2017-2030 (US$ Mn)
FIG. 43 South Korea Stock Music Market, 2017-2030 (US$ Mn)
FIG. 44 South-East Asia Stock Music Market, 2017-2030 (US$ Mn)
FIG. 45 Rest of Asia Pacific Stock Music Market, 2017-2030 (US$ Mn)
FIG. 46 Latin America Stock Music Market, 2017-2030 (US$ Mn)
FIG. 47 Brazil Stock Music Market, 2017-2030 (US$ Mn)
FIG. 48 Mexico Stock Music Market, 2017-2030 (US$ Mn)
FIG. 49 Rest of Latin America Stock Music Market, 2017-2030 (US$ Mn)
FIG. 50 Middle East & Africa Stock Music Market, 2017-2030 (US$ Mn)
FIG. 51 GCC Countries Stock Music Market, 2017-2030 (US$ Mn)
FIG. 52 South Africa Stock Music Market, 2017-2030 (US$ Mn)
FIG. 53 Rest of Middle East and Africa Stock Music Market, 2017-2030 (US$ Mn)

List of Tables
TABLE 1 Market Snapshot: Global Stock Music Market
TABLE 2 Global Stock Music Market: Market Drivers Impact Analysis
TABLE 3 Global Stock Music Market: Market Restraints Impact Analysis
TABLE 4 Global Stock Music Market, by Competitive Benchmarking, 2022
TABLE 5 Global Stock Music Market, by Geographical Presence Analysis, 2022
TABLE 6 Global Stock Music Market, by Key Strategies Analysis, 2022
TABLE 7 Global Stock Music Market, by Royalty-free Stock Music, By Region, 2017-2022 (US$ Mn)
TABLE 8 Global Stock Music Market, by Royalty-free Stock Music, By Region, 2023-2030 (US$ Mn)
TABLE 9 Global Stock Music Market, by Licensed Stock Music, By Region, 2017-2022 (US$ Mn)
TABLE 10 Global Stock Music Market, by Licensed Stock Music, By Region, 2023-2030 (US$ Mn)
TABLE 11 Global Stock Music Market, by Film Soundtracks, By Region, 2017-2022 (US$ Mn)
TABLE 12 Global Stock Music Market, by Film Soundtracks, By Region, 2023-2030 (US$ Mn)
TABLE 13 Global Stock Music Market, by Advertising, By Region, 2017-2022 (US$ Mn)
TABLE 14 Global Stock Music Market, by Advertising, By Region, 2023-2030 (US$ Mn)
TABLE 15 Global Stock Music Market, by Online Content, By Region, 2017-2022 (US$ Mn)
TABLE 16 Global Stock Music Market, by Online Content, By Region, 2023-2030 (US$ Mn)
TABLE 17 Global Stock Music Market, by Gaming, By Region, 2017-2022 (US$ Mn)
TABLE 18 Global Stock Music Market, by Gaming, By Region, 2023-2030 (US$ Mn)
TABLE 19 Global Stock Music Market, by Television and Radio Broadcasts, By Region, 2017-2022 (US$ Mn)
TABLE 20 Global Stock Music Market, by Television and Radio Broadcasts, By Region, 2023-2030 (US$ Mn)
TABLE 21 Global Stock Music Market, by Corporate and Educational Presentations, By Region, 2017-2022 (US$ Mn)
TABLE 22 Global Stock Music Market, by Corporate and Educational Presentations, By Region, 2023-2030 (US$ Mn)
TABLE 23 Global Stock Music Market, by Others, By Region, 2017-2022 (US$ Mn)
TABLE 24 Global Stock Music Market, by Others, By Region, 2023-2030 (US$ Mn)
TABLE 25 Global Stock Music Market, by Large Enterprises, By Region, 2017-2022 (US$ Mn)
TABLE 26 Global Stock Music Market, by Large Enterprises, By Region, 2023-2030 (US$ Mn)
TABLE 27 Global Stock Music Market, by SMEs, By Region, 2017-2022 (US$ Mn)
TABLE 28 Global Stock Music Market, by SMEs, By Region, 2023-2030 (US$ Mn)
TABLE 29 Global Stock Music Market, by Individual Content Creators, By Region, 2017-2022 (US$ Mn)
TABLE 30 Global Stock Music Market, by Individual Content Creators, By Region, 2023-2030 (US$ Mn)
TABLE 31 Global Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 32 Global Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 33 Global Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 34 Global Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 35 Global Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 36 Global Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 37 Global Stock Music Market, by Region, 2017-2022 (US$ Mn)
TABLE 38 Global Stock Music Market, by Region, 2023-2030 (US$ Mn)
TABLE 39 North America Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 40 North America Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 41 North America Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 42 North America Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 43 North America Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 44 North America Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 45 North America Stock Music Market, by Country, 2017-2022 (US$ Mn)
TABLE 46 North America Stock Music Market, by Country, 2023-2030 (US$ Mn)
TABLE 47 United States Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 48 United States Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 49 United States Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 50 United States Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 51 United States Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 52 United States Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 53 Canada Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 54 Canada Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 55 Canada Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 56 Canada Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 57 Canada Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 58 Canada Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 59 Mexico Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 60 Mexico Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 61 Mexico Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 62 Mexico Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 63 Mexico Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 64 Mexico Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 65 Europe Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 66 Europe Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 67 Europe Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 68 Europe Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 69 Europe Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 70 Europe Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 71 Europe Stock Music Market, by Country, 2017-2022 (US$ Mn)
TABLE 72 Europe Stock Music Market, by Country, 2023-2030 (US$ Mn)
TABLE 73 Germany Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 74 Germany Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 75 Germany Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 76 Germany Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 77 Germany Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 78 Germany Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 79 France Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 80 France Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 81 France Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 82 France Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 83 France Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 84 France Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 85 United Kingdom Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 86 United Kingdom Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 87 United Kingdom Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 88 United Kingdom Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 89 United Kingdom Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 90 United Kingdom Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 91 Italy Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 92 Italy Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 93 Italy Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 94 Italy Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 95 Italy Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 96 Italy Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 97 Spain Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 98 Spain Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 99 Spain Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 100 Spain Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 101 Spain Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 102 Spain Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 103 Rest of Europe Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 104 Rest of Europe Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 105 Rest of Europe Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 106 Rest of Europe Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 107 Rest of Europe Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 108 Rest of Europe Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 109 Asia Pacific Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 110 Asia Pacific Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 111 Asia Pacific Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 112 Asia Pacific Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 113 Asia Pacific Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 114 Asia Pacific Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 115 China Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 116 China Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 117 China Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 118 China Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 119 China Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 120 China Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 121 Japan Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 122 Japan Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 123 Japan Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 124 Japan Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 125 Japan Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 126 Japan Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 127 India Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 128 India Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 129 India Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 130 India Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 131 India Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 132 India Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 133 South Korea Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 134 South Korea Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 135 South Korea Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 136 South Korea Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 137 South Korea Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 138 South Korea Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 139 South-East Asia Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 140 South-East Asia Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 141 South-East Asia Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 142 South-East Asia Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 143 South-East Asia Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 144 South-East Asia Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 145 Rest of Asia Pacific Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 146 Rest of Asia Pacific Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 147 Rest of Asia Pacific Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 148 Rest of Asia Pacific Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 149 Rest of Asia Pacific Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 150 Rest of Asia Pacific Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 151 Latin America Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 152 Latin America Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 153 Latin America Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 154 Latin America Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 155 Latin America Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 156 Latin America Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 157 Brazil Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 158 Brazil Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 159 Brazil Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 160 Brazil Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 161 Brazil Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 162 Brazil Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 163 Argentina Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 164 Argentina Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 165 Argentina Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 166 Argentina Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 167 Argentina Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 168 Argentina Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 169 Rest of Latin America Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 170 Rest of Latin America Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 171 Rest of Latin America Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 172 Rest of Latin America Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 173 Rest of Latin America Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 174 Rest of Latin America Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 175 Middle East and Africa Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 176 Middle East and Africa Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 177 Middle East and Africa Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 178 Middle East and Africa Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 179 Middle East and Africa Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 180 Middle East and Africa Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 181 GCC Countries Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 182 GCC Countries Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 183 GCC Countries Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 184 GCC Countries Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 185 GCC Countries Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 186 GCC Countries Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 187 South Africa Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 188 South Africa Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 189 South Africa Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 190 South Africa Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 191 South Africa Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 192 South Africa Stock Music Market, by End User, 2023-2030 (US$ Mn)
TABLE 193 Rest of Middle East and Africa Stock Music Market, by Type, 2017-2022 (US$ Mn)
TABLE 194 Rest of Middle East and Africa Stock Music Market, by Type, 2023-2030 (US$ Mn)
TABLE 195 Rest of Middle East and Africa Stock Music Market, by Application, 2017-2022 (US$ Mn)
TABLE 196 Rest of Middle East and Africa Stock Music Market, by Application, 2023-2030 (US$ Mn)
TABLE 197 Rest of Middle East and Africa Stock Music Market, by End User, 2017-2022 (US$ Mn)
TABLE 198 Rest of Middle East and Africa Stock Music Market, by End User, 2023-2030 (US$ Mn)

Music Streaming Subscription Services Market

Music streaming subscription services had a market value of $ 19.3 billion in 2020, and it is expected to reach $ 39.9 billion by 2027 with a CAGR of 10.9% over the forecast period.

Effects Pedal Power Supplies Market

The Global Effects Pedal Power Supplies Market size was valued at USD 260.9 million in 2018 to USD 290.0 million in 2024 and is anticipated to reach USD 391.8 million by 2032, at a CAGR of 3.9% during the forecast period.

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